Browsing Tag

acidity

Education Reviews Wines

What is Acidity in Wine & Why Does it Matter?

acidity in wine

What do experts mean when they praise acidity in wine? Critics regularly enthuse about the racy acid of a German Riesling or the lively, crisp nature of a New Zealand Sauvignon Blanc. Why is acidity so important in wine appreciation?

According to tasting expert Michael Schuster in his excellent, Essential Winetasting book: “Acidity shapes and puts into relief the flavours in wine”.  Consider a well-made Beaujolais or Burgundian Pinot Noir. The red berry and cherry notes seem to pop on the palate. This is due to the acidity in wine lifting and highlighting the fruit; giving it a juicy, tangy quality.

***Side note: I have also made this “Acidity in Wine” post into a three minute YouTube video. To watch, just scroll down to the bottom & click play. If you enjoy the video, consider subscribing to my YouTube channel so you never miss an episode of my weekly wine education series. 

“Acidity shapes and puts into relief the flavours in wine”.

Acidity in wine is a crucial component for balance. Low acid wines – think cheap Viognier from a hot region – can feel flat and heavy. Sweeter wine styles lacking sufficient acidity are cloying. High alcohol wines, without freshness, appear almost thick on the palate and warming on the finish.

Balance is the ultimate gauge of wine quality. When all components that make up a wine’s character – its flavours, body, acidity, alcohol, dryness/sweetness, tannin, etc. – are in harmony, you may barely even perceive them individually. Rather, they coalesce to form a cohesive whole.

Acidity is a crucial factor in wine balance…though what constitutes balance is entirely personal…

What constitutes balance, when it comes to acidity in wine,  is entirely personal however. High acid white wines like Riesling or Sauvignon Blanc can appear pleasant to some, and aggressive to others. The combination of high acidity and a very dry palate (˂2 grams/litre of residual sugar) can appear particularly austere to many tasters.

Residual sugar (occurring when fermentation is stopped before transforming all grape sugars into alcohol) can be a good thing for highly acidic wines, softening their sharp edges. It may surprise you how many notoriously high acid, seemingly dry wines are actually slightly sweet. Champagne, Riesling from multiple origins, and many New Zealand Sauvignon Blanc are just a few examples.

The capacity of a wine to age well is also greatly impacted by its acidity; notably when it comes to white wine. Acidity in wine acts like a preservative, significantly slowing down oxidation and playing a role in bacterial stability.

The capacity of a wine to age well is also greatly impacted by its acidity; notably when it comes to white wine.

It might be a little more apparent now why wine writers use so many terms to describe acidity in wine. In case you are wondering how to situate all of these weird and wonderful words on the scale of low to high acidity, I tend to use the following lexicon:

Low acidity: soft, lush, flabby, thick, heavy

Medium acidity: moderate, round

Medium + acidity: fresh, bright, lively, vibrant, brisk

High acidity: crisp, zesty, zippy, racy, bracing, piercing, laser-like, tangy, mouthwatering, steely, firm

Overly high acidity: sharp, jagged, tart, hard, malic, sour

Here is a selection of pleasingly balanced medium + to high acid wines that I have enjoyed recently:

(What do VW, PW, LW mean? Check out my wine scoring system to find out.)

Man Vintners Chenin Blanc Free-run Steen 2017, Western Cape, South Africa – 88pts VW

Attractive notes of yellow fruit are underscored by steely, mineral hints on the nose. Zesty acidity is matched by a taut structure and vibrant, ripe lemon flavours on this light bodied, unoaked Chenin Blanc. Clean and citrussy on the finish. For more on the Chenin Blanc grape, click here.

Where to buy: SAQ (17.05$)

Paco & Lola Albarino 2017, Rias Baixas, Spain – 89pts. VW

Not as exuberantly fruit forward as certain Albariños, but very pleasant all the same. Bright floral aromas mingle with candied white fruits (apple, pear, peach). Light in body, this crisp, yet rounded easy-drinking white features tangy orchard fruit flavours and saline hints on the finish. For more on the Spanish grape: Albariño click here and scroll down to the 4th paragraph (on Galicia).

Where to buy: SAQ (18.20$), LCBO (19.95$)

Domaine des Fines Caillottes Pouilly Fumé 2017, Loire Valley, France – 91pts. PW

I liked this so much in a recent blind tasting that I immediately went out to buy another bottle. Drinking very well now despite its youthful vigour, this aromatic Loire Valley Sauvignon Blanc is brimming with gooseberry, tropical fruit, and grapefruit notes. Upon aeration herbaceous nuances and hints of oyster shell develop. Bracing acidity is ably balanced by the medium body and expansive palate structure. Bone-dry and unoaked, with a long, lively finish.

Where to buy: SAQ (26.40$)

Zind-Humbrecht Riesling Turkheim 2016, Alsace, France – 93pts. PW

Fantastic value for the price. Intensely fragrant and complex, with spicy aromas (cinnamon, clove, and star anise) overlaying yellow fruits, white flowers, and wet stone nuances. The medium bodied, earthy palate is lifted by pure, racy acidity and a steely structure. Mineral hints and bright yellow fruis linger on the finish.

Where to buy: SAQ (27.10$)

Oremus “Mandolas” 2016, Tokaj, Hungary – 92pts. PW

This wine is made from the Furmint grape in the Tokaj region of Hungary, better known for their sweet, botrytised Tokaji wines. An incredibly stylish wine with intriguing hints of fennel, anise, and lemon on the nose. Crisp and highly textural on the palate, with medium body and a concentrated core of lemon, quince and orchard fruit. An attractive touch of phenolic bitterness frames the long finish nicely.

Where to buy: SAQ (30.25$)

Bret Brothers Mâcon-Villages “Cuvée Ephémère” 2016, Burgundy, France – 93pts. PW

I have yet to be disappointed by a wine from this producer. This lovely Mâcon is no exception. Lovely honeysuckle, yellow peach, and stony mineral notes feature on the nose. The palate is brisk, full-bodied and richly textured with good depth of flavour (yellow apple, peach, mango hints). The fruit is tangy and bright on the long, mineral-laced finish.

Where to buy: SAQ (35.50$)

Château Thivin Côte de Brouilly Cuvée Les Sept Vignes 2016, Beaujolais, France – 91pts PW

I tasted this first at the domaine earlier this summer, and subsequently bought a bottle upon returning home. Firstly, because it was so good. Secondly, because it was the same price at the cellar door and here! This wonderfully lively red features brisk acidity, and juicy red berry, cherry, violet, and spiced flavours. It is medium bodied, with earthy hints from ageing in oak oak foudres, and lovely, velvety tannins. Serve slightly chilled.

Where to buy: SAQ (24.55$)

Castello di Monsanto Chianti Classico Riserva 2014, Tuscany, Italy – 92pts. PW

I tasted a series of Chianti from this producer recently, including an exquisite 2013 ‘Vignetto Il Poggio” that was pretty darn near perfection in my humble opinion. Sadly, the 99$ price of this wine is a little out of my reach…sigh. For less than half that price, this Chianti Classico Riserva is really fantastic. Enticing aromas of sweet, stewed tomatoes, red cherry, dried herbs, and potpourri feature on the nose. Very fresh on the palate, with a lovely chalky texture, medium body, and spicy, cedar hints. The tannins are still a little firm. Cellar for 2 – 3 years, or serve with red meat to soften the tannins.

Where to buy: SAQ (35.25$), inquire with agent about the “Il Poggio” 2013: Elixirs Vins & Spiritueux 

Acidity in Wine & Why it Matters Video!

Education Reviews

ITS TIME FOR A GERMAN WINE REVIVAL

Drink German Wine
Photo credit: Deutsches Weininstitut

Cool climate has become a bit of a buzzword for wine enthusiasts in recent years. Marginal climates on the very brink of where grapes can successfully ripen are increasingly being sought out by growers conscience of the long term potential they offer. As temperatures continue to rise, and drought conditions worsen in many hot growing areas, cooler climates offer an attractive solution to climate change. The current fashion in wine geek circles is for crisp, elegant, lighter wine styles that these sites yield.

Sadly, when wine lovers think cool climate wines, they too often overlook the original cool climate king…

Germany.

Germany’s original vineyards are said to have been planted some 2000 years ago by the Romans. Much like in Burgundy, the powerful monasteries of the Middle Ages are credited with identifying many of Germany’s  finest terroirs. In the 18th and 19th centuries, German wines were as highly prized as their counterparts in France. Queen Victoria was well-known for her love of Rheingau wines from the Hochheim area. In many of his excellent books, wine writer Hugh Johnson sings the praises of the thrilling Rieslings of the Mosel and the Rheingau.

So why are German wines so hard to find on liquor store shelves and restaurant wine lists these days?

Yes, there were some dark days for German wine in the difficult aftermath of the the second world war. Firstly, a grape called Müller-Thurgau was widely planted through-out Germany. This variety was created by crossing two separate grapes (one being Riesling) in order to obtain a new, early ripening, high yielding grape that thrived in a wide range of soils and climates. The downside was that Müller-Thurgau produced a fairly bland, neutral white. The second issue was the rise in popularity, first domestically, and then internationally for a very sweet, insipid style of white wine called Liebfraumilch (think Black Tower, Blue Nun, Deinhard).

As these inferior wines proliferated, so to did mass consumer perception that this was the extent of Germany’s wine-making abilities. And stereotypes, once firmly established, die hard. Germany’s quality-minded wine producers never ceased producing excellent wines, and wine connoisseurs never ceased drinking them; these wines just became specialty products for those “in the know”.

As the trend toward drier white wine picked up steam in the 1980s and 1990s, Liebfraumilch sales waned and German wine began to disappear from larger liquor store shelves. Meanwhile in Germany, a quality revolution was quietly underway. Wine producers increasingly turned back to Riesling, began experimenting with sweetness levels, and singling out their best terroirs in single vineyard bottlings.

Today, the quality coming out of Germany is second-to-none, but the average wine drinker wouldn’t know that…because they can’t find any.

What is that makes German wines worth seeking out? Here are just a handful of reasons:

The Noble Riesling Grape

Riesling is praised by wine experts the world over, for its exceptional cellaring capacity and ability to express terroir. In simpler terms, the Riesling grape is very high in natural fruity acid. Acids act as a sort of preservative, allowing wines to maintain the vibrancy of their aromas and flavours over time. Riesling is rarely subjected to wine-making techniques (like malolactic fermentation or new oak ageing) that alter wine’s flavour profile. They tend to be light in body and delicate in texture. German Rieslings are often highly fragrant with aromas that range from apple, lemon, white flowers, and wet stone (in drier wines from the coolest areas) to intense honeyed, peachy, spiced notes for later harvested and/or warmer climate wines.

There is almost five times more Riesling planted in Germany than in any other country world-wide.

Riesling’s Wide Range of Styles

The Riesling grape excels in all styles, from sparking, to still; from bone-dry to lusciously sweet. Riesling’s high acid lends itself well to the production of quality sparkling wine. Its thin skins make it susceptible to botrytis (aka noble rot), a fungus that shrivels the grape berries intensifying sweetness and imparting interesting flavour compounds. The sweet German dessert wines made from partially to fully botrytised grapes are among the most complex, sought after wines in the world.

Quick guide to understanding sweetness levels on German wine labels:

  • Dry Riesling: look for the term “Trocken” on the label, “Halbtrocken” or “Feinherb” wines will be marginally sweeter
  • Sweet Riesling (in ascending order): Kabinett* (off-dry), Spätlese* (late harvested, medium sweet), Auslese (partially botrytised, sweet), Beerenauslese (heavily botrytised, very sweet), Trockenbeerenauslese or TBA (wholly botrytised, lusciously sweet), Eiswein (ice wine, no botrytis, sweet to lusciously sweet)

* Just for to make things more confusing, Kabinett and Spätlese wines can also be fermented dry (rather than have the fermentation halted while residual sugar remains in the wine, as is the case with good quality sweet wines). You will see the word Trocken on these labels.

Cool Climate Vineyards

Germany is the northernmost major wine-producing country in Europe. Its climate is cool and continental for the most part. Grapes grown in cool climates accumulate sugars more slowly. They require a longer growing season to fully ripen. Germany’s vineyards lack the abundant sunshine of more southerly origins, but they are blessed with warm, dry fall weather allowing the grapes to hang long on the vines. Grapes that ripen slowly like this tend to be fresher, with brighter fruit, and more complex (often mineral-laced) aromatics.

Steep Slopes & Winding Rivers

The favourable fall weather alone isn’t sufficient to ripen grapes in the coolest German vineyards. In places like the Mosel Valley, Riesling thrives due to the perilously steep slopes upon which it is grown. These sharp inclines give more direct sunlight to the vines therefore increasing the rate of photosynthesis. Rivers also play a major role in tempering chilly German weather. Water maintains stable temperatures far long than air. In cool climates, rivers act as heat reservoirs. All of Germany’s major vineyard areas grow along the banks of the Mosel (and its tributaries the Saar and Ruwer), the Rhine, and the Main rivers.

The Pinot Persuasion

Although Riesling is the best known German wine grape, many other varieties flourish here. In fact, Germany is the third largest producer of Pinot Noir in the world. Called Spätburgunder (sh-pate-boorgunder) here, the style varies widely from region to region but often features a pale garnet colour, crisp acidity, tart red fruit flavours, light to medium body, and smooth tannins. These vibrant reds offer fantastic value for lovers of earthier, fresher Pinot Noir styles. For tangy, silky versions look to the Ahr, Franken, or Rheingau. For bolder, fruitier styles, try Baden or Pfalz.

White Pinot grapes, namely Pinot Gris (aka Grauburgunder) and Pinot Blanc (aka Weissburgunder), are widely grown in the Rheinhessen, Baden, and Pfalz. Both grapes can be quite neutral and lean. However, when not over-cropped, and when vinified with care, they are both lovely, textural wines. Pinot Blanc tends to have firmer acidity, while Pinot Gris is more fragrant. Great German Pinot Gris is powerful and concentrated, with notes of ripe pear, tropical fruit, and spice. Pinot Blanc can be quite nutty and citrussy, with lovely freshness.

Perfect Balance

The single most important attribute a wine must have to pass muster with me, is balance. All elements that one can smell and taste must seem harmonious to the nose and palate. On a balanced wine, the aromas, the flavours, the acidity, the alcohol, the tannins and so forth all work together like an orchestra to create one beautiful sound from many different instruments. Whereas, on an unbalanced wine, certain aspects will seem jarring, and out of synch.

I regularly taste high acid wines with little to no sweetness, and find them so lean and austere that they provide little drinking pleasure. Where acidity is high, as with Riesling, residual sugar can provide an attractive counter-weight, enhancing the fruity flavours. Before dismissing the sweeter Riesling wine styles, try them against bone-dry Rieslings and see for yourself. I am constantly met with wine lovers who swear they only drink dry wines, only to prefer a slightly sweeter style when given a selection to taste. Also, high acidity levels mask the perception of sweetness. You may think your favourite wine is bone-dry, only to find it is slightly sweet. Next time you drink a bottle of Champagne, check the sugar level.

Other Benefits

Cool climate wines struggle to ripen and therefore never attain very high alcohol levels. In the case of sweeter wines, the arrested fermentation process means that not all the sugar has been transformed into alcohol resulting in even lower alcohol levels. German Riesling ranges from 5.5% alcohol for the very sweet wines, up to 12% for the driest examples. Even the red wines rarely exceed 13%.

For me, German Riesling is the perfect hot summer’s lunch wine. Its vivacious acidity quenches your thirst, and its low alcohol won’t leave you yawning.

Avoiding the Pitfalls

Before you race to the store to buy the first German wine you see, there are some basic rules to follow. Unfortunately, syrupy sweet, characterless German wine still exists today. Avoid the cheapest options (in this market that pretty much means everything under 15$). And if you really and truly don’t like sweetness in your white wine, scan the label for the word trocken.

If you are keen to try German sparkling wine (called Sekt), look out for a mention of origin on the bottle. Cheap German Sekt is truly dreadful stuff, with a heavy, candied sweetness. The grapes can be sourced from anywhere in the EU, so do not reflect German vineyard fruit.

For dry to sweet wines, if you prefer a very light, delicate style with elegant, tangy fruit, mineral and floral notes look for wines from the Mosel Valley or Nahe. If you want something a shade more powerful, steelier in structure, but equally racy, Rheingau is for you. Finally, if you want more rounded acidity, riper fruit and spicy notes, the Pfalz region offers this an abundance.

A Couple of Suggestions

In a recent tasting of over 100 German wines here in Montréal, only a handful were available for purchase at the SAQ. Here are my top 4 to get you started on your German wine journey:

Selbach-Oster Riesling QbA 2016 – 89pts VW

Incredibly lively white with moderate intensity of red apple, honey and ripe lemon aromas. Piercing acidity offsets the subtle sweetness nicely on this delicate, light-bodied white. The finish is clean, and fairly brimming over with juicy, tangy fruit.

Where to buy: SAQ (18.20$)

Weingut Leitz Eins Zwei Dry 2016 – 88pts VW

Crafted in a “dry” style, the 9g/L residual sugar is barely perceptible here. This is a classically styled Rheingau with its bracing acidity, firm structure, and hints of peach, lemon, and stony minerals. This zesty white is a sure to get your taste buds jumping.

Where to buy: SAQ (19.25$).

Villa Welter Weissburgunder Trocken 2016 – 87pts. VW

Restrained, yet elegant on the nose with subtle pear, green apple and floral notes. This charming, biodynamic Pinot Blanc really comes alive on the palate. Crisp, yet rounded acidity, an attractive layered texture and lingering saline hints on the finish.

Where to buy: SAQ (20.00$)

Reichsgraf Von Kesselstatt Piesport Goldtropfchen Grosses Gewachs Riesling 2014 – 93pts. PW

Lovely complexity on the nose. Slatey minerality is underscored by delicate floral notes, yellow apples and hints of petrol. Notes of raw honey and peach develop with aeration. The palate is silky and light, yet impressively concentrated, with racy acidity ably matched by incredibly vibrant fruit. The finish is long and mineral-laden.

Where to buy: SAQ (45.00$)

For those keen to explore further, here is a short list of other excellent German wine producers currently sold in limited volumes through the SAQ:

Joh. Jos. Prüm, Mosel Valley

Willi Schaefer, Mosel Valley

Weingut Weiser-Künstler, Mosel Valley

Weingut Hermann Dönnhoff, Nahe

Weingut Klaus Keller, Rheinhessen

Weingut Künstler, Rheingau

Weingut Ökonomierat Rebholz, Pfalz

 

Life

Salt, Pepper & Pinot Noir

how we drink wine
Photo credit: Claude Rigoulet

In my previous life as a winery sales manager I used to do lots of in-store tastings. They required a lot of standing around, and serving consumers wine in terrible conditions…too warm, in awful little plastic cups, in overly hot or cold store aisles…not ideal. You do learn a lot about different cultures and how we drink wine.

In the UK, people will partake any time of day. A free sample is a free sample. They won’t necessarily hang around to hear your shtick about the wine and they probably won’t buy a bottle, but they will happily take the proffered glass. Whenever.

French people will take the glass, sniff and swirl, and then proceed to tell you about their cousin so and so who has a vineyard in the Beaujolais, or their buddy in Paris who is a caviste (wine merchant). They want to make sure that you know that they are “connected”, and that you can’t pull the wool over their eyes.

In North America, it all depends on when you are offering. Before 3pm the majority of people will turn down your wine sample with a shocked “I’m driving” or “I’m in the middle of my work day”…as though a thimble full of wine will suddenly turn them into deranged, drunken lunatics. However, come mid-afternoon, the driving stress somehow goes out the window and everyone takes a glass.

…as though a thimble full of wine will suddenly turn them into deranged, drunken lunatics

Business lunches are more of the same. In France, if you go out for a meal, you drink wine. Period. This side of the Atlantic, if people do accept a glass of wine before 5pm, they generally feel the need to justify their sinful behaviour, along the lines of: “It’s almost Friday” or “It must be six o’clock somewhere”, followed by a nervous chuckle.

This is not to say that North Americans are repressed, or that Europeans are more liberated. It is simply a reflection of wine’s role in different societies. My husband is French. He grew up with wine on the table at every meal. Aside from special occasions, wine was consumed in moderation to slake thirst and punctuate conversation.

Guillaume’s take on wine is one that I wish more people shared. He sees wine as a condiment; something to be used to flavour your food. A seasoning agent, if you will, to be consumed in much the same way as mustard in a sandwich.

He sees wine as a condiment; something to be used to flavour your food.

Wine is increasingly being taken out of context; evaluated on its own and consumed separately from food. The intoxicating effects of wine are overly glorified or demonized, so that many see this as its principal attribute.

But wine is so much more…

One of the many things that sets it apart is its interaction with food. Tannin binds with and softens proteins in meat, intensifying their rich savoury flavours and reducing the astringency of the wine. Acidic sensations from lemon or tomato based dishes can be tempered by pairing with an equally acidic wine. Certain aromas or flavours can be underscored by matching with similarly scented wines.

Olive oil tastes rich and delicious on its own, but sprinkle a pinch of sea salt on it and the flavour comes alive. This is what wine and food can and should be to each other. Just think of the briny tang of oysters washed down with fine Champagne bubbles…

Oysters and Charles Heidsieck

Olive oil tastes rich and delicious on its own, but sprinkle a pinch of sea salt on it and the flavour comes alive. This is what wine and food can and should be to each other.

A number of years ago, my husband and I were in Piedmont for the annual Fiera del Tartufo (truffle festival). The white truffle is one of my all time culinary favourites. There are few flavours out there that can rival this pungently earthy, yet delicately refined taste. The mamma at our guest house overheard our rhapsodising and sent us off truffle hunting with her winemaker neighbour Luigi and his truffle dog. Bilbi proved a valiant beast, quickly unearthing several nuggets of white gold.

What came next was an evening I won’t soon forget.

Luigi took us to his cellar to taste his latest vintage of pleasant yet fairly rustic Grignolino and Barbera wines. Then on to dinner. Luigi’s charming wife had prepared a simple, creamy white risotto. After passing around the plates, she proceeded to shave great mounds of white truffle on each bowl. Luigi brought out his Barbera d’Asti Superiore. What had seemed a fairly ordinary wine in the winery was suddenly transformed. It seemed richer and rounder, with more earthy nuances and brighter fruit. Each bite of risotto called for another sip, and each sip, another bite.

I could recount a hundred tales like this but I’d sooner let you discover this pleasure for yourself.  On the menu tonight, caramelized onion and gruyère quiche. I am thinking that a rich, smoky Alsatian Pinot Gris might just do the trick.