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Life

A GLASS RAISED TO WINE MENTORS LOST

Posted on February 15, 2019
Wine Mentors

The recent passing of one of the wine world’s legends, Gerard Basset, has been on my mind a lot recently. Not because I knew him personally, though I wish that I had had that privilege. It was the remarks that people made about him being a mentor; someone who inspired wine enthusiasts to become scholars, and wine scholars to pursue ever loftier academic goals.

His death also made me re-visit the brutal realities of cancer.

I had such a teacher once. A man that instilled his passion for wine in me long before I could (legally) imbibe. A self-proclaimed ignorant farm boy from Saskatchewan who read every tome on wine grapes, vintages, regions and producers religiously. A man who carefully purchased the best vintage Ports of each of his children’s birth years to drink with them at their weddings.

Except that he only made it to one wedding, at a time when his Port drinking days were long passed.

The Christmas of 2006 started off with a bang. I was finishing up a job in Beaune and preparing to leave for a winemaking stint in South Africa early in the New Year. I had just flown home for the holiday. My father was standing over my open suitcase, watching with child-like glee as I pulled out all the smelly cheeses and pâtés that I had smuggled over. With our bounty on display and the week’s menus in mind, we headed down to the cellar to mull over the wines.

This was how it always went. He adored the ceremony of opening his carefully aged treasures (generally Bordeaux, red Burgundies, and Mosel Rieslings). He would pour a small glass, sniff, taste, and then, when the wine was good, a slow smile would spread across his face. He would say, “not bad, not bad at all” and then pass the glass over to me.

When I first decided to pursue a career in wine, he said to me, “You will have a wonderful time. You won’t make any money, but you’ll have a wonderful time”. On the eve of my initial departure to study wine commerce in Burgundy he pulled out a bottle of 1982 Léoville-Las Cases that I will remember to my dying day.

And then, on Christmas day in 2006, everything changed in an instant. We had just finished gorging ourselves on turkey and fixings, and were happily slumped in our chairs, paper hats askew, when my father suddenly became so ashen, he looked as though he had seen a ghost. The episode passed and he shrugged it off, though I won’t soon forget the nervous look on his face as he sipped his postprandial dram.

It was cancer. More specifically lung cancer that had already metastasized to his brain. The location of the 7 different brain tumors made any curative treatment impossible. I went off to South Africa, blithely ignorant of his fate. He didn’t tell me until my return because he so wanted me to enjoy my experience.

When I next saw him, the shrunken man in front of me with the big, haunted eyes seemed almost a stranger. On my mother’s urging (and bankrolling), my sister and I had arrived with 12 bottles of top Burgundies. I had even found a bottle of 1930s Nuits-St-Georges from an old, long deceased wine producer friend of my parents.

I brought them out with such pride only to be faced with a watery smile. Though he was able to share a few bottles with us, his ailing body soon couldn’t face wine’s acidic bite. His brilliant mind remained to the end though, and he continued his love affair with wine vicariously through me to the end.

Today would have been his 77th birthday. Tonight, I will open the finest treasure my paltry wine cellar has to offer and raise a glass to you, Ronald Cole, and to you, Gerard Basset, two wine lovers taken from their families and all those they inspired, far too soon.

Education Reviews Wines

IT IS WORTH PAYING MORE FOR FINE WINE?

Posted on June 8, 2017
Is it worth paying more for fine wine

Is it worth paying more for fine wine? This is one of the questions I am frequently asked when I review pricier wines.

In one of Hugh Johnson‘s books, he advocates buying ageworthy wines by the case. Bottles can then be opened periodically, over the span of their recommended drinking life, to see how they evolve. Until recently, I would have judged this very sound advice.

However, for many wine lovers, this just isn’t feasible anymore. Even the most diehard fans of classic cellaring wines (like top Bordeaux and Burgundies) are pulling back on bulk purchases. The wines have simply become too expensive for all but the world’s uber-wealthy.

With so many new, premium wines and wine regions popping up all over the globe, you might wonder how this is possible? Surely the increase in fine wine supply would equate to lower prices? Not so!

The cult of the wine critic in the 1990s and early 2000s led to certain wines developping a star power never seen before. Well-to-do collecters, savvy wine traders, and affluent status seekers flocked to them, driving prices ever higher.

Massive economic growth in China from 2005 onward led to rash of seemingly overnight millionaires. Investments in luxury goods, including Grand Cru Bordeaux, ensued at an impressive pace. In Burgundy, a similar phenomenon occurred, and was compounded by the scarcity factor associated with regular low yielding harvests.

The cult of the wine critic in the 1990s and early 2000s led to certain wines to develop such star power … driving prices ever higher.

A 2011 Fortune article details the meteoric price escalation over the past 25 years, notably in Bordeaux. A bottle of Château Lafite Rotschild 1982 was listed at 84$ US in a 1986 fine wine catalogue, whereas the 2008 vintage came out at a whopping 1800$.  Likewise, a Joseph Drouhin Echezeaux Grand Cru 1983 was on offer at 30$. The 2015 vintage sells for an average of 205$ US on price comparison sites like Wine Searcher.

Have these wines reached such lofty prices that they now cost more than they are worth? Many in the wine trade would respond with a resounding YES! Retailers from the US and UK tried various tactics in the mid 2010s from lobbying the Union des Grands Crus de Bordeaux, to boycotting purchases, to get Bordeaux’ iconic producers to bring down their prices.

Circling back to our question of the day: Is it worth paying more for fine wine? In my opinion, the question of quality-price ratio is a deeply personal one.

I would never spend upwards of 3000$ on a purse. Even if it was adorned with crisscrossed LVs. However, many would argue superior craftsmanship, or simply the pleasure of owning a luxury item, to validate their purchase.

On the other hand, I have no qualms shelling out thousands of dollars on world-wide travel. I will also, happily, pay ten times the price of a local bus for the convenience of jumping in a cab on a rainy day.

Perhaps the most difficult aspect of fine wine purchasing is the hit-and-miss nature of it all. While the top estates still produce excellent wines in poor vintages, they are not a patch on their counter parts in fine growing years. The buyer therefore needs to arm themselves with at least basic vintage information. Prices do drop marginally in poor vintages (at least in Bordeaux), but rarely in line with the quality difference.

Perhaps the most difficult aspect of fine wine purchasing is the hit-and-miss nature of it all.

Wine is a living thing, that evolves in bottle. Sometimes for the better, and sometimes for the drastically worse. Wine can be affected by cork taint or any number of other faults. It can go through a “dumb period” early in its cellaring, whereby the aromatics are muted and the palate is so firm it gives little pleasure. Wine can also age more rapidly than expected, appearing dried out; lacking in fruit and glycerol.

You just never know what you are going to get.

So why do oenophiles still clamour after these insanely priced, potentially disappointing luxury wines? Simply put, because when they are good, they are like nothing you have ever tasted before. A truly fine Mazis-Chambertin Grand Cru, at the height of its ageing curve, is so complex, so elegant, so powerful and yet silky on the palate that you feel the sensations continue to play across your tongue long after you have swallowed. The experience bears no ressemblance to that pleasant, fruity 50$ Pinot Noir you carafed last week-end.

The same can be said for the top châteaux in Bordeaux, though you need to wait a little longer for the powerful Cabernet Sauvignon tannins to mellow. In their prime, these beauties offer a level of finesse, of balance and of sensuality, that is just incomparable with their more affordable brethren.

…when they are good, they are like nothing you have ever tasted before…

Whether you are able or willing to part with a chunk of your savings to have such an experience is up to you. With a little luck, you can find a generous sponsor or befriend someone in the wine trade with good connections! This has always been my modus operandi. I haven’t tasted a Romanée-Conti yet…but remain ever hopeful.

Who am I to judge? Learn more about me here.

Producers Reviews

PRODUCER PROFILE – LUDIVINE GRIVEAU, DOMAINE DES HOSPICES DE BEAUNE

Posted on March 17, 2017
Ludivine Griveau Jacky Blisson

The snow was coming down fast and furious but I trudged onwards, tightening the hood of my parka around my frozen cheeks. Had it been another day, I might have slunk back to the comforting warmth of my office. But today was different. I was headed for a tasting and lunch with Ludivine Griveau, the new managing director of the Domaine des Hospices de Beaune.

Luckily for me, the weather kept the majority of my less intrepid colleaugues away, allowing me a far cosier encounter than I had anticipated. Over a scrumptious magret de canard and a line up of beautifully precise Burgundies, we settled in for a nice, long chat.

The Hospices de Beaune (often referred to as the Hôtel Dieu) was founded in 1443 as a charitable hospital and refuge following the Hundred Years’ war. The good works of the almshouse attracted many generous benefactors who, over more than five centuries, have bequeathed substantial land holdings. Today, the estate consists of 60 hectares of mainly premier and grand cru vineyards dotted through out the Côte de Beaune and Côte de Nuits.

The Hospices de Beaune was founded in 1443 as a charitable hospital and refuge.

In 1859 the tradition of a yearly wine auction was established, to sell the wines of the Hospices and raise money for the hospital. Since the construction of a new, modern hospital in the early 1970s, the Hôtel Dieu has become a museum, but the winemaking activities and charitable deeds of the Hospices de Beaune continue.

The wine trade elite gather from around the globe in Beaune every 3rd Sunday of November to attend the auction, and bid on barrels of storied appellations like Clos de la Roche and Corton Charlemagne. In the days leading up to the main event, the Hospices cellars are opened for public, barrel tastings to allow clients to select the cuvées they wish to purchase. No other Burgundian estate is so closely or widely scutinized, making the Domaine des Hospices de Beaune something of a standard bearer for the quality of the region.

No other Burgundian estate is so closely or widely scutinized, making the Domaine des Hospices de Beaune something of a standard bearer for the quality of the region.

The office of managing director of the Hospices involves overseeing the vineyards and winemaking for the estate. Given the international attention, this is a daunting task for even the most experienced vigneron. In 2014, long time director Roland Masse announced his retirement, and the search for a worthy successor was launched. The process took nine months, with over fifty candidates vetted, before a victor was named: Ludivine Griveau.

Not since co-founder Guigone de Salins ran the Hôtel Dieu in the 1400s (after the death of her husband, Nicolas Rolin) has there been a woman at the helm of the Hospices de Beaune. And certainly not in the role of head winemaker! Historically, women weren’t even allowed in the wineries during the fermentation period for fear that their “monthly visitor” would turn the wine sour. Thankfully those days are gone, and the number of celebrated female winemakers in Burgundy is growing steadily. However, old habits die hard and I definitely felt a lingering sense of machoism during my years in Beaune.

Not since Guigone de Salins ran the Hôtel Dieu in the 1400s has there been a woman at the helm of the Hospices de Beaune.

I therefore applauded the choice of the Hospices board of directors, and went into my meeting with Ludivine predisposed to champion her appointment. It quickly became clear however, that she doesn’t need the backing of female solidarity to legitimize her role. Engaging, articulate and incredibly passionate, Ludivine brings with her a solid foundation of education and experience. She spent 4 years working as a viticulturist for the famed Domaine Jacques Prieur, before heading up the winemaking team at Maison Corton-André for 10 years.

Over this period, she worked in almost every appellation where the Hospices owns vines. The varied terroir of each parcel hold no secrets for her, giving her an incredible advantage in running the Hospices estate. Today, she manages a team of 23 staff, who each tend to just over 2 hectares of vines. She also travels the world to promote the domaine’s wines and the charitable aim of the estate.

When asked what her objective for the estate is, 5 to 10 years down the road, she didn’t hesitate. ‘Perfection!’. Such a bold claim demanded further explanation, so she quickly expanded on her theme. The wines of the Hospices, once purchased in barrel mid-November, are transferred to selected wineries and négociant houses for the rest of their barrel maturation and bottling. The final wines will of course vary depending on the cellar master’s methods. The Domaine des Hospices’ role is to provide optimally ripe, healthy grapes that are vinified in such a way as to elicit wines of surpassing elegance and finesse. This is her aim.

The Domaine des Hospices’ role is to provide optimally ripe, healthy grapes … of surpassing elegance and finesse. This is her aim.

As any self-respecting French vigneron will tell you: ‘Les meilleurs vins sont fait dans les vignes’ (the best wines are made in the vineyards), meaning that it is the quality of the ripened grape that defines how good the wine will be.  All 60 hectares of the Hospices estate are farmed sustainably; a method generally called lutte raisonnée. Ludivine has injected a seemingly subtle, but important difference with her team; a practice she calls ‘lutte réfléchie’. Instead of simply tempering the use of non organic inputs, she insists that they really stop and think about each potential treatment and what possible alternatives could be employed.

It is this exacting attention to detail that sets her apart. She gives a wry chuckle and admits that she drives her team crazy sometimes with her exhaustive decision making process. This attitude does not falter in the winery. ‘Pinot Noir is an incredibly delicate grape, that requires careful attention and a soft touch in the cellar’ she asserts. She started her first harvest season by explaining the concept of gentle punch downs to her staff; the idea being to limit extraction to just the right tannic balance.

hospices wines

Over the course of our meal, we shared a steely, mineral-edged St. Romain blanc (cuvée Menault) 2014 and a silky, elegant Monthélie rouge 1er cru “les Duressesses” (cuvée Lebelin) 2011 both masterfully aged by J. Drouhin. The pièce de résistance followed, by way of a ripe, powerful, richly textured Mazis-Chambertin Grand Cru (cuvée Madeleine Collignon) 2009. These wines ably represented the standard of quality for which the Domaine des Hospices de Beaune is renowned.

It will be a little while yet before the Hospices wines crafted by Ludivine are released. I await my first tasting with anticipation! Perhaps the fact that she began during the highly acclaimed Burgundy vintage of 2015 is an omen of good things to come…

Life

A MOST CURIOUS JOURNEY

Posted on February 3, 2017
history of wine future of wine winetrade
Photo credit: www.classicandperformancecar.com

My grandfather Frank Egan was a wine merchant in London many years ago. It was a gentler time, so my mother would have me believe. A time where the answering of letters, dictating of future correspondence and tasting of wines would take place in the morning, thus leaving gentlemen free to enjoy a long lunch and retire to their clubs for the afternoon. Regular “breakage” would keep the house well stocked in vintage Champagne, which served nicely as a little apéritif to enjoy in the bath before supper.

The only wine regions that really mattered could be rattled off in short order: Burgundy, Bordeaux, Champagne, the Mosel Valley, Porto and Sherry. This narrow focus allowed educated tasters to become highly proficient in the myriad lieux-dits, individual producers and specific vintage traits of each area. Wines were assigned a personality rather than described with a laundry list of aromas. Frank liked to compare his wines to women or racehorses. To him, this visual imagery aptly conveyed the rounded, voluptuous charm of a warm vintage Vosne-Romanée or the taut, powerful muscle of a young Pauillac.

When visiting his growers, Frank would make two appointments a day, thus allowing for lunch with one and dinner with the other. He was driven by chauffeur so as to properly honour the excellent wines of his gracious hosts. Day time attire consisted of pin striped suits and a bowler hat when in the city, and evening events invariably called for black tie.

In today’s fast paced, global wine industry such a leisurely rhythm seems unfathomable. But what would Frank make of us were he suddenly catapulted sixty-odd years into the future?

Though I only knew him through stories and photos, I can imagine him sitting in some trendy wine bar, staring agape at the tattooed, beardy sommelier, repeating the words ‘Nerello Mascalese?’ with a puzzled air. I can just see him wandering the aisles of a big box store marvelling at the quantity of ‘SKUs’, at the labelling by grape variety, and the vast number of wine producing regions.  Fine wines in screw cap? From New Zealand?

The frenetic pace of wine retailing in this social media age would surely baffle him. And he might feel as though he had stepped into the pages of a sensationalist science fiction pulp, observing the use of GPS, sensors, probes and drones in the vineyards.

However, in terms of small-scale, fine winemaking, he would likely find himself back on familiar ground; much more so than if his time travelling Rover had dropped him in nineteen eighty. For the pendulum swung from tradition to innovation to such a violent degree with the embracing of mechanization, chemical weed and pesticide controls and so forth, that we are now seeing the inevitable counter movement.

Conscientious, quality-minded growers are increasingly organic (or in the process of conversion). They focus on canopy management techniques and decreasing irrigation frequency. In the cellar, spontaneous fermentation with indigenous yeasts, partial or whole cluster fermentation, and the absence of fining or filtration are all the rage for many a premium, artisanal winemaker. Were Frank to hear an estate manager proudly detail these exacting methods, he may scratch his head. He would likely think to himself, well yes, those are fairly standard procedures, what’s this chap so excited about?

If he were to taste the sought-after wines of today, fashioned in the post-Parker age of restraint, purity and freshness, he may not even find that his beloved Burgundies taste all that different. They are certainly a little riper and fleshier, potentially with silkier tannins, but recognizable all the same.

After the excitement of his incredible journey, it would be understandable if Frank hurried back to nineteen fifty to settle his nerves with a wee dram with his cronies. Yet perhaps I underestimate my progenitor… He may have been the kind of intrepid fellow that, once launched on the path of adventure, could not resist his curiosity. Turning the Rover’s dials to twenty eighty, what might he discover?

Touching down in Bordeaux mid-summer, he might feel the need to take off his blazer, and even roll up his sleeves. According to climate change focused researchers at the Institut de la science de la vigne et du vin, Bordeaux weather may more closely resemble that of coastal Portugal in as little as twenty to thirty years. Examining the back label of a fine claret, he might find the late ripening Tinto Cao grape listed along side Cabernet and Merlot.

Will Champagne make only red wines, and the finest bubblies hail from England and Tasmania? Will Frank find Napa and Barossa Valley vineyards all but abandoned? With the sheer size and massive ambition of China, the twenty eighty equivalent to supermarket shelves could well be dominated by the descendants of Great Wall and Changyu.

Perhaps he will stumble upon a post-apocalyptic scenario with massive swathes of vineyards lost to virulent parasite epidemics. By then, the disease resistant, cold hearty Regent hybrid and others of its ilk could conceivably be household names.

Alas, it is time to bring this time travel reverie to a close. Frank Egan must meekly step back into the black and white photos I cherish, nosing a selection of vintage Port. Though day dreams of him pushing on, increasingly poleward and higher in altitude, in search of the finest crus, will linger in my thoughts and drive me forward.

Frank Egan

Photo: Frank Egan & daughter Hazel, Guildhall tasting circa 1960.

 

Reviews Wines

TOP PICKS – GALLEON WINES TASTING

Posted on October 23, 2016
Wine Bottles

When I tell people that I work in the wine industry, I invariably get a lot amused comments. The general assumption is that the job entails sitting around, drinking all day. Sadly, this is usually not the case. I mean, come on folks, would you pay someone to do that?

Even on those days where wine tasting really is my assigned task, the selection on offer is often a little dreary. Mass produced wines, like any high volume consumer item, generally have little that sets them apart from their competitors. They are often passably good, but rarely great.

Every once in a while, however, I attend a tasting where the wines (from small and large wine producers alike) are really fantastic…and I do just sit around, drinking all day.

I had one such day last week, at the launch of a new agency called Galleon Wines. They are actually more of a sub-agency; the fine wine division of large, national wine company Philippe Dandurand Wines.

Just a quick segue for those of you who don’t know what I mean by wine agency: in Canada, our cherished liquor boards (a.k.a monopolies) are the sole wine importers in the majority of provinces. They are also the sole retailers in most cases. With hundreds of stores, and thousands of wines on offer, a product can easily get lost in the shuffle. A wine agency is there to represent wine producers’ products locally. Their sales force will push for greater distribution in stores, try and get restaurants to purchase and so forth.

Galleon Wines is ably steered by wine expert Denis Marsan (long time SAQ Signatures buyer) and the savvy wine salesman Pierre-Adrien Fleurant. Together with their team, they have hand selected an exciting line up of wines. The accent is definitely on French wine; with a particularly fine range of Burgundies. The common thread for much of the portfolio is freshness, purity of fruit and balance.

The majority of these wines are not available at the SAQ or LCBO, however Galleon is on the verge of launching an e-commerce platform. Consumers will be able to buy directly from the website.

This is still Canada, with all our complicated rules and regulations, so you do unfortunately have to buy cases of 6 or 12 (depending on the wine).  I recommend getting together with like-palated friends to share orders.

Here are my top 11 favourites (because I couldn’t whittle it down to 10).  What do VW, PW and LW mean?  Click on my wine scoring system to find out:

Kracher und Sohm Grüner Veltliner 2015 – 92pts. PW (20 – 25$/bttle)

Kracher und Sohm is a brilliant partnership between Alois Kracher, highly acclaimed Austrian vintner, and Aldo Sohm, top New York based sommelier.

Pale straw. Elegant, moderately intense aromas of ripe peach, fresh hay and white flowers. Lively acidity and lovely precision define the light bodied palate. This unoaked white finishes with a subtle saline note and lingering white pepper. Drink now, or hold 3 – 5 years.

Domaine Franck Millet Sancerre Blanc 2015 – 90pts. PW (25 – 30$/bttle)

The 22-hectare estate in the heart of Sancerre has been passed down from father to son for 3 generations. Textbook Sancerre; with a restrained, mineral-driven nose underscored by citrus and hints of gooseberry. Racy acidity, moderate concentration, rounded mid-palate and a lingering, citrus-infused finish.

Domaine Ravaut Bourgogne Blanc 2014 – 91pts. PW (25 – 30$/bttle)

This small, 12 hectare estate is situated in Ladoix-Serrigny, 5 km from Beaune. This well-crafted white Burgundy offers a surprising amount of complexity for such a modest appellation. Pale gold in colour, with attractive lemon curd, white pear, mineral and buttery aromas. Very fresh on the medium weight palate, with a subtly creamy texture and a clean, medium length finish. Unoaked.

Domaine Queylus Chardonnay Tradition 2013 – 89pts. PW (25 – 30$/bttle)

With local star Trevor Bachelder making the wines, the Domaine Queylus is among the better estates in Niagara today. This harmonious white offers good value at under 30$. Intense floral, apricot and ripe pear aromas on the nose. The palate is quite richly textured and fruit-driven, yet balanced by vibrant acidity. The toasty, vanilla nuances from long oak ageing are fairly well integrated. Finishes just a touch short.

Domaine Nathalie & Gilles Fèvre Chablis 2015 – 90pts. PW (25 – 30$/bttle)

This sustainably farmed estate can trace its history in the local wine industry back to 1745. Pale straw in colour, the subdued nose offers hints of lemon, lime and chalky minerality. The rasor sharp acidity is nicely offset by vibrant, pure citrus and apple flavours. The texture is smooth, with subtle leesy notes. Attractive minerality comes back to the fore on the long finish.

Château de la Maltroye Chassagne-Montrachet Blanc 2014- 94pts. LW (65 – 70$/bttle)

The stunning 18th century manor house is among the most beautiful properties in Burgundy. Pale gold. Very elegant, complex aromas featuring white flowers, fresh almonds, citrus, green apple and underlying minerality. Lively and taut on the palate, with a creamy, textured mid-palate and hint of buttery richness. The oak is subtle and well integrated. Finishes long, with lovely mineral and aniseed notes.

Domaine des Varinelles Saumur Champigny 2014 – 89pts. PW (20 – 25$/bttle)

Domaine des Varinelles is situated in the heart of Saumur, and boasts mainly mature vines ranging in age from 35 to 60 years on average. Youthful, purple colour. Vibrant raspberry, green pepper, and subtle cedar notes on the nose. The palate is fresh, medium bodied and dry, with tart red fruit flavours and ripe, grainy tannins that frame the finish nicely.

Domaine Coillot Marsannay “Les Boivins” 2014 – 91pts. PW (45 – 50$/bttle)

This sustainably farmed estate is commited to keeping yields low to best express the individual terroirs. The “Les Boivins” cuvée is a lovely example. Medium ruby, with pretty floral, red berry and brambly fruit notes on the nose. Fresh acidity is amply balanced by a smooth, velvetty texture and fleshy tannins.  The oak is very subtle and harmonious. Medium length finish.

Domaine Heresztyn-Mazzini Gevrey-Chambertin Vieilles Vignes 2013 – 94pts. LW (80 – 85$/bttle)

This is a relatively new estate, borne from the mariage of Champenois winemaker Simon Mazzini and Burgundian Florence Heresztyn (descendant of the long established Domaine Heresztyn). This is a big, bold style of Gevrey-Chambertin. The intense, complex nose features earthy, animal notes underscored by just ripe red and black fruits, violets and exotic spice. Fresh on attack, with highly concentrated fruit flavours and prominent coffee and cedar-scented oak. The tannins are ripe and chewy. The finish is very long and nuanced, with intriguing hints of cumin. This dense, tightly woven wine needs a few more years to unwind and harmonize in cellar, but shows enormous potential.

Frescobaldi Lamaione IGT Toscana 2010 – 95pts. LW (125$/magnum)

Frescobaldi’s Lamaione Merlot strikes the perfect balance between power and purity.  Deep ruby. Moderately intense brambly fruit, with underling tobacco and cedar. Very fresh on the palate, nicely counterbalancing the big, brooding structure and ripe, dark fruit flavours. The firm, fine-grained tannins and well integrated cedar oak provide additional complexity. The finish is long, with hints of tobacco and lively mint.

Trapiche Imperfecto 2012 – 90pts. LW (50 – 55$/ bttle)

Youthful, inky purple colour. Very pretty nose featuring violets, ripe black berries and dark chocolate. The palate shows lovely harmony of fresh acidity, velvetty texture, full body and concentrated dark fruit flavours. Rounded tannins and spicy oak define the finish.

Life

THE DEATH OF JOY: Comparative tastings and the standardization of style

Posted on August 3, 2015
Comparative wine tastings standardization

It is human nature to want to compare; to establish a bench mark and then try to measure up. In our Darwin-esque “survival of the fittest” mentality, we are trying to survive by determining who is best and how to emulate them. We love to give out trophies and scores and proclaim that x is better than y, and that all should prefer x. And the supposedly genteel, refined world of wine is no different.

I regularly read articles on comparative tastings that look to rock the establishment with proclamations that new world, less well reputed vineyards are superior to their renowned old world counterparts. In a famous 1976 tasting dubbed “The Judgement of Paris”, Californian Chardonnays and Cabernet Sauvignons beat white Burgundies and red Bordeaux in a series of blind tastings.   Just last week, an Australian publication proudly announced that the new wave of Chardonnay and Pinot Noir producers from the Yarra Valley and New Zealand are better than Burgundy, often for half the price.

While I understand that new regions, looking to gain in respect and notoriety from wine consumers, can help their cause by likening their wines to revered vineyards. And I relate to the need to set a goal and aspire to achieving the greatness we perceive in others… I can’t help but feel a little disappointed that the wine industry seems stuck in a comparison rut.

I love the freshness, the fruit purity and precision of a good Central Otago Pinot Noir. And I love the elegance, complexity, and structure of a Chambolle-Musigny. I especially appreciate the fact that both styles exist to compliment different meals and occasions. Why determine that one is better than the other? Who decides what the best criteria is to make such a choice? And why should we trust their judgement?

The writer that hailed Yarra Valley as better than Burgundy based his decision on “freshness, primary fruit and verve”. Burgundian winemaker, Benjamin Leroux, argued that the majority of his fellow producers were not looking to highlight those characteristics but rather focus on structure. Two different approaches and preferences, that ultimately both result in great wines. So why not simply celebrate the wealth of diversity in styles?

Yes, it is irksome to pay so much more for the supposedly great wines from fabled vineyards, than purportedly better wines from newer origins. But so far these constant comparisons have not resulted in significant price decreases for the former. They just drive up prices for the latter… Great for the grower, but not so much for the drinker!

Mark Twain once said that “comparison is the death of joy”.

Our obsession with determining a uniform best, rather than savouring well-made wines from around the world for their individual charms, is a glum affair.

In the 1990s/early 2000s, when winemakers in Bordeaux and Châteauneuf-du-pape saw that more extracted, oakier wines were receiving higher Robert Parker scores, there was a rush to replicate the style and a generation of copycat wines emerged. I for one would rather have a wealth of styles from the light, fresh and fruity to the big, bold and tannic and everything in between. For, as many different types of wine that exist, there are an equal number of different consumer preferences, palates, dishes to pair with and so on. In my humble opinion, that is the principle joy of wine.