Browsing Category

Reviews

Education Wines

Italy’s Native Grape Varieties: Strength in Diversity

Italy's Native Grape Varieties

Among the many remarkable attributes of Italy’s wine industry, the sector’s resilience is surely its most impressive feature. The trials and tribulations, the production booms and busts, the sheer drama, and shocking scandals that Italian wine has overcome…

After all, who could forget the rash of 1980s methyl alcohol poisonings that left 19 wine drinkers dead and countless others with serious neurological deficits? Or the ignoble fake wines of the 1960s, where water and dregs from grape pressings were mixed with a variety of “ingredients” ranging from pureed figs to molasses to cattle blood.

Less dire but equally illicit are the countless discoveries of illegal grape blending, the most famous of which is perhaps the 2008 “Brunellogate” chapter. And yet, with every blow to their winemaking reputation—at home and internationally—Italy has always managed to rise from the ashes. Often, with the advantage of more stringent controls and a greater drive to boost wine quality.

Though Italian wine sales have flattened over the past year, in line with an international trend of slowing consumption and the global economic downturn, the UIV-Vinitaly Observatory indicates that the past 15 – 20 years have seen near uninterrupted export growth.

The Prosecco craze has had a lot to do with international (and domestic) volume growth in recent years. In value terms, Italy’s fine wine reputation has largely been carried by its famed regions like Barolo, Montalcino, Chianti Classico, or Amarone since the 1990s.

However, Italy has far more strings to its vinous bow than easy drinking bubbly and a handful of prestigious appellations. Sought-after wines are cropping up in all of Italy’s 20 wine producing regions, leading curious oenophiles to explore the country’s wealth of distinctive terroirs and indigenous varieties more closely than ever before.

Indeed, Italy’s native grapes are its greatest strength.

Estimates vary, but according to Italian wine expert, Ian D’Agata, Italy grows roughly 2,000 autochthonous cultivars. Nearly 400 of these grapes are produced in commercially significant volumes. The numbers are growing steadily as once forgotten grapes like Timorasso, Schioppettino, or Recantina make a comeback.

Why is this important? Because Italy’s indigenous varieties are an essential part of the country’s cultural heritage. They also set Italy apart from most other significant wine-producing regions. The International Organisation of Vine and Wine indicates that one-third of vineyards world-wide are planted to just 13 international grapes. In comparison, seven of Italy’s top ten most planted grapes are local.

“Native wine grapes hail from a particular place and region, and express a terroir unlike that of grapes cultivated anywhere else in the world. They are also specifically adapted to the environment in which they grow, representing the most ecologically friendly agriculture possible.”  Ian D’Agata, Club Oenologique.

The movement among Italy’s quality-minded grape growers to renew their focus on local varieties and resurrect forgotten cultivars was initially a question of preservation. Now, many are looking to indigenous grapes as the best local response to climate change challenges.

Countless numbers of Italian grapes were lost in the aftermath of the powdery mildew and Phylloxera ravages at the turn of the 20th century. Vineyards were replanted with maximum economic return in mind, with grapes that produced the largest yields and ripened earlier and more consistently.

Many later maturing grapes – that struggled to reach full ripeness most years – were forsaken, but for a handful of traditional growers. As temperatures continue to soar and harvest dates are moving alarmingly forward, late ripening varieties are becoming increasingly important.

Drought resistance is another essential grape attribute in a warming environment. The torrid conditions of Italy’s southern wine regions are not new. Over the centuries, many of their local grapes have learned to thrive with very little water. As more northerly regions begin to mirror the hot, dry conditions of Italy’s south, these varieties will likely migrate northward; a phenomenon already being seen in certain Tuscan vineyards.

Italy has several significant geographical advantages in terms of weathering the current intense heat spells associated with climate change. Coastal vineyards on its peninsular mainland and islands benefit from cooling marine breezes. Many of its inland regions are crisscrossed by lakes and rivers that also temper extremes. Finally, its mountainous interior has allowed many producers to move upwards in search of cooler vineyard sites.

Despite this, grape growing is becoming ever more challenging and unpredictable. The 2023 growing season was not kind to wine producers in central and southern Italy. Heavy rains, flooding, hailstorms, drought, and widespread downy mildew all conspired to slash harvests by 20% to 30%, according to local reports.

Italian wine lobby groups UIV and Assoenologi estimate a 12% decrease in volume output as compared to 2022, meaning that after a long hiatus, France has overtaken Italy as the world’s leading wine producer. While the news isn’t good for Italy, it will hopefully allow oversupply in certain regions to decrease.

Only time will tell how the world’s major vineyards fare, faced with over-production, climate threats, and changing consumer patterns. If there is one country that can weather the storm, as they have done for so many millennia, it is certainly Italy.

This piece on Italy’s Native Grape Varieties is re-printed (with permission) from my article written for Good Food Revolution. If you want to learn more about artisanal food, wine, beer and spirits, check out their excellent website.

Education Wines

Vinho Verde Wines… The Serious Side

Vinho Verde Wines

Vinho Verde wines. The ultimate in light, bright, easy-drinking whites. Low in alcohol, refreshing, subtly sparkling, and with just a touch of fruity sweetness on the finish. An affordable option in a sea of increasingly expensive wine choices.

This highly stereotypical description has been used for decades to sum up the wines of the verdant Minho region of northwest Portugal. The consistency and unique personality of Vinho Verde wines made for a simple branding message that has long resonated with casual wine drinkers around the world.

This global success has been a boon to the region, allowing for expansion, modernization, and, most importantly, a wave of quality-focused winemakers. Stylistically, the Vinho Verde wines of today are far more than a one-trick pony.

From Rustic Reds to Modern White Vinho Verde Wines

Winemaking is not a new activity for the Minho area. The first literary references date back to the first century AD. The old Minho province was officially recognized as a wine region in 1908. At that time, and well into the latter half of the century, red wine dominated.

The agricultural focus was on dairy and corn. Vineyards were an afterthought, grown on the edges of fields, up trees, or in overhead (pergola) canopies. The dense shading of these training methods, combined with cool winds and steady rain from the nearby Atlantic Ocean, made ripening a challenge and rot an ever-present concern. The wines were often thin, tart, and rough around the edges.

Vinho Verde History. Photo credit: Photo: Casa Alvão/ Comissão de Viticultura da Região dos Vinhos Verdes

All that started to change in the late 1970s, with the advent of more modern winemaking practices, including the introduction of inert tanks, temperature control, and a greater emphasis on cellar hygiene. This brought about a radical shift – to clean, fruity white wines with a subtle spritz of injected carbon dioxide to heighten their lively, early-drinking appeal.

Vinho Verde Wines : The Blend and the Sum of its Parts

While the Vinho Verde name has gained recognition among white wine lovers, the grapes that make up its blends have not. Over 45 different varieties are planted in the region. For white wines, the most common are Loureiro, Alvarinho, Arinto (aka Pedernã), Avesso, Azal Branco, and Trajadura.

Each grape had its role to play in the blend, Loureiro for its pretty floral aromatics or its broader structure, Alvarinho for its vibrancy and its array of citrus, stone, and tropical fruit flavours, Arinto for its nervy minerality, Avesso for its creamy texture, Trajadura for its steely structure and so forth. However, the focus has traditionally always been the blend and not its component parts.

Fast forward to the late 1990s, and all this began to change.

Vinho Verde Wines Terroir Pioneers

The turn of the century brought with it a wave of new energy in Vinho Verde. A handful of respected winemakers, like Anselmo Mendes, Quinta da Soalheiro, and Quinta do Ameal, started setting their sights on more complex, age-worthy wines.

The vineyards of Vinho Verde are divided into nine sub-regions separated by the Minho, Lima, Cávado, Ave and Douro Rivers and their many tributaries. Each area is unique in its proximity or distance from the Atlantic, the influence of its waterways, its undulations, meso-climate, and so forth. Granitic sandy and loam-rich soils dominate throughout Vinho Verde, but several veins of schist traverse the region from south-east to northwest, and stony outcrops also exist in several areas.

Mendes and his contemporaries sought to dial into these sub-regional differences by creating specific blends or single variety bottlings that best expressed their place. In 1998, Mendes, a renowned Portuguese consulting winemaker, returned to his native Monção with this goal in mind.

Anselmo Mendes. Photo Credit: Anselmo Mendes Vinhos

The Vinho Verde sub-region of Monção and Melgaço is located in the northern reaches of the denomination, along the inland banks of the Minho River. Lower annual rainfall and warmer summer temperatures here create rich, structured Alvarinho wines with fragrant peach and exotic fruit notes.

Further south, other grapes found their groove.  The Lima Valley proved an ideal terroir for single variety Loureiro, with its highly refreshing, floral expression. The inland sub-region of Baião has more continental influences with warmer summers. Here, the late ripening Avesso grape shines; developing notable body and depth.

Terroir-focused single variety bottlings, as well as blends, have become increasingly prominent in recent years. Winemaking practices vary from traditional, unoaked, early bottled styles to longer aged, discreetly oaked wines.

Beyond White Vinho Verde Wines

Once a second-class crop relegated to the periphery, Vinho Verde vineyards now span some 16 thousand hectares. The wines are produced by 370 wine bottlers across the region. White wine remains the undisputed focus, accounting for over 85% of sales, but Vinho Verde rosé and red wine are gaining a niche following.

Sparkling wine from Vinho Verde – not the subtly spritzy – but properly effervescent espumante wines made using the tank, traditional, and now Pét Nat methods are also generating buzz, though they remain difficult to come by in most export markets.

Quinta da Soalheiro was the first in the region to produce traditional method Alvarinho sparkling wine back in 1995. Almost thirty years later, they remain a reference for quality espumante, encouraging many to follow suit. Loureiro and Trajadura are also common choices for sparkling Vinho Verde.

Looking to the Future

Rainfall is high in much of Vinho Verde. While this makes for a lush, green landscape, it also means that fungal disease is a constant threat. Despite this, some of Portugal’s leading names in biodynamic and in organic winemaking are based here.

Vinho Verde Wines. Douro River Region. Photo Credit: Comissão de Viticultura da Região dos Vinhos Verdes

In 2003, Vasco Croft took over abandoned family-owned vineyards in the Lima Valley. By year three he began converting the property to biodynamic farming, and grew to over 20 hectares. The success of his estate, Aphros Wines, alongside fellow biodynamic great Fernando Paiva of Quinta da Palmirinha, is an inspiration to younger generations.

The list of certified organic wineries continues to grow, led by estates and négociants like Casa de Mouraz, Quinta das Arcas, Quinta de Santiago, and A&D Wines. Their efforts go far beyond prohibiting chemical vineyard treatments, to biodiversity initiatives, conservation initiatives, and an overall commitment to lowering carbon footprint.

A Tale of Two Vinho Verde Wines

Those who love the simplicity of a crisp, light, spritzy Vinho Verde will not be lost in this brave new world of Vinho Verde wines. The region’s iconic style still makes up the bulk of its production. However, it is exciting to see how multi-faceted Vinho Verde wines have become.

New names of top Vinho Verde producers – from classic to avant-garde, traditional to natural – are cropping up all the time. Racy high acidity remains a hallmark of the region, across its sub-regional and single variety bottlings as well as its blends. However, fruit expressions, texture, and body vary more widely than ever before, offering something for every palate.

This Vinho Verde Wines piece is re-printed (with permission) from my article written for Good Food Revolution. If you want to learn more about artisanal food, wine, beer and spirits, check out their excellent website.

Reviews Wines

Gulfi Nero d’Avola: A Grand Cru Tasting

Gulfi Nero d'Avola

I have long been an enthusiast of Gulfi Nero d’Avola wines. Despite the arid summer heat of their vineyards in Sicily’s southeast, Gulfi manages to coax freshness and finesse from the region’s powerful red grape. I recently had the occasion to taste the estate’s top wines, alongside their irresistible Cerasuolo Di Vittoria.

Matteo Catania is one of the most infectiously enthusiastic wine producers I have ever met. When he gets started extolling the terroir virtues of his native Chiaramonte Gulfi, or his prime vineyard parcels in Pachino Val di Noto, he can go on for hours. Thankfully, his story is a good one.

It starts with a vision for producing fine wines, of Bourgogne-like elegance, in an area best known for bold, brawny reds. It speaks of determination and a commitment to grow more sustainably – without recourse to irrigation, without chemical treatments, using holistic, biodynamic practices. To read more, check out my profile on Gulfi Wines covering their background and a tasting of their mid-range wines.

In May, I caught up with Matteo Catania once again, this time to taste his single vineyard bottlings from Pachino. The recently granted Pachino DOC lies in the Val di Noto on the southeastern tip of Sicily. According to Matteo, it is the country’s “grand cru” area for the Nero d’Avola grape.

The low lying vineyards of Pachino sit at just 30 metres above sea level between the Ionian and Mediterranean seas. The vines are buffeted by near constant cross winds which cools the temperature and keeps yields low, concentrating flavours.

Significant tectonic activity in the region, due to the meeting of the African and European continent’s tectonic plates in the area, has led to mass upheaval over time. This explains the wide diversity of soil types, predominantly volcanic, limestone, and clay-based.

Gulfi Nero Maccàrj 2017 – 92pts. LW

The Maccàri contrada (aka single vineyard) has chalky clay soils and a warm, south, southwestern orientation. The vines are mature, at over 35-years in age on average. The estate’s policy of dry farming and dense plantings of head-pruned bush-vines in the traditional Alberello style result in very low yields, of just 30 hectolitres/ hectare.

A dark, brooding Nero d’Avola with attractive aromas of cherry stone, black plum, and dried flowers overlying hints of wet earth and cedar. The palate is powerful and fleshy, with a concentrated core of orange peel, dark fruit, and savoury nuances. Finishes fresh, with chalky, ripe tannins. A big but balanced, vibrant red. Decant and serve slightly chilled.

Where to Buy: SAQ ($54.00, code: 15086599), agent: Bambara Selections

Gulfi Nero Bufaleffj 2017 – 94pts. LW

The Bufaleffj contrada has varied soils of mainly volcanic origin, with areas of black clay, red clay, gravel outcrops, and sandy areas. Vinification is similar for the three contrada, native yeast fermentation in stainless steel, followed by two years’ ageing in 500L tonneaux, and an extending resting period after bottling.

Matteo describes the Bufaleffj as “richer, rounder, and more powerful” than the Maccàrj and Sanloré cuvées. The 2017 vintage is indeed a commanding wine. Successive aromas of dark chocolate, baked black plum, cherry stone, blueberry, and almond essence play across the nose. The palate is brisk, full-bodied, and initially quite firm, with impressive mid-palate depth. Notes of wild herbs, tangy dark fruit, cocoa, cedar, and subtle meaty undertones linger on the bold, tannic finish. Decant, or if you have the patience, cellar for at least another 2 – 3 years.

Where to Buy: SAQ ($66.25, code: 15086610), agent: Bambara Selections

Gulfi Nero Sanloré 2017 – 96pts. LW

The San Lorenzo contrada is located less than 70 metres from the Ionian sea, just 15 metres above sea level. Matteo describes the cuvée as “an English gentleman; aristocratic, impeccable, understated and complex”. He goes on to explain how the area’s red, sandy soils give a softer tannin profile, while the proximity to the coast brings lots of freshness and a form of “marine salinity” that makes them very food friendly.

The 2017 vintage is definitely akin to Matteo’s description. Layered aromas of fresh red and dark fruit, dried citrus peel, wild herbs, and balsamic nuances gain in intensity with aeration. The palate opens with lip-smacking freshness that lifts and lightens the bold frame. Quite textural, with lots of tension, and attractive, fine-grained tannins. The finish is long, earthy, and vibrant with lingering bright fruit, savoury hints, and yes…even a hint of salinity. A highly elegant wine. Decant and serve marginally chilled.

Where to Buy: SAQ ($66.25, code: 15086601), agent: Bambara Selections

The final wine is not from a Pachino terroir. However, the new vintage has just been released and it is such amazing value that I couldn’t resist including it here!

Gulfi Cerasuolo Di Vittoria 2020 – 94 pts. PW

Cerasuolo di Vittoria is Sicily’s one and only DOCG appellation. The area of Vittoria is located due west of the Val di Noto, across the Hyblaean mountains, near the Mediterranean coast. Here, Nero d’Avola is joined by the lively, red berry scented Frappato grape. This cuvée is fermented and aged for just under one year in stainless steel, to preserve its youthful, fruity charm.

And charming it very much is! Vivid red berry, cherry, and floral aromas mingle with hints of nutmeg and cracked pepper on the nose. The palate is medium-bodied, with a supple, glossy texture perfectly balanced by lively acidity and juicy, persistent red and dark fruit flavours. A serious, yet ever so easy drinking red. Serve at 16°C to (max) 18°C.

Where to Buy: SAQ ($32.50, code: 14044848), agent: Bambara Selections

Reviews Wines

On Seven Estate Winery: Top Canadian Chardonnay

On Seven Estate Winery 2020 vintage

The top Canadian Chardonnay of twenty years ago were big wines. They were oak-heavy, high in alcohol, ultra-ripe, but also, often sharp in terms of their acid profile. In recent years, judging the National Wine Awards of Canada, and sampling many other top Canadian Chardonnay, it has been clear to see that the style has dramatically shifted.

Many great producers have emerged from coast to coast. In Niagara, wineries like Bachelder, Hidden Bench, Pearl Morisette, and Leaning Post – among many others – have ably shown the region’s potential to make exciting Chardonnay. Among the newer entrants, On Seven Estate Winery is a true stand out.

The property, “on seven” acres of abandoned vineyards in Niagara-on-the-Lake’s Four Mile Creek area, was acquired by aficionados Vittorio & Sula de Stefano in 2009. After extensive uprooting, site analysis, and planning, five acres were planted in well-draining, clay loam soils with significant chalky deposits . No expense was spared.

After a lengthy wait, de Stefano was able to procure top quality rootstocks and clones directly from Burgundy’s highly respected Mercier nursery. Under the guidance of veteran viticultural consultant, Peter Gamble, On Seven estate proceeded to produce very low yields (1 – 2 tonnes per acre) of certified organic wines of impressive complexity and finesse.

The quality here is all the more noteworthy given the location of vineyards. Niagara-on-the-Lake is home to many of the warmest vineyard sites of the peninsula. Most vintners head for the benchlands, in the Niagara Escarpment area, to make cool climate Chardonnay. On Seven derives freshness from a combination of north-facing slopes, chalky soils, and higher acid Dijon clones.

The wines are made in a low intervention style, with gentle, whole cluster pressing, wild yeast fermentations, and lengthy ageing in low levels of new French oak. Tasting across the years, from the inaugural 2017 vintage, to the 2018s and now the 2020s, the quality is consistently high.

And now, the wines are finally available in Québec, though in minute volumes so get them while they last!

On Seven Estate “The Pursuit” Chardonnay 2020 – 94pts.

Initially reserved, with attractive green fruit, citrus blossom, almond, and brioche notes emerging with aeration. The palate displays lovely tension, with crisp acidity, steely structure, and subtly creamy core. Tangy orchard fruit and savoury nuance linger on the finish. Still quite youthful and taut, with a long life ahead. Decant an hour before serving.

On Seven Estate “The Devotion” Chardonnay 2020 – 95pts.

Sourced from their best plots, The Devotion is On Seven estate’s star Chardonnay. A mere 91-cases were made of the 2020 vintage. It is a hugely promising wine. Enticing aromas of anise, white flowers, apple, and hazelnut nougat define the nose. The palate is full-bodied yet lithe and silky in texture with an expansive, layered mid-palate. Finishes on a lifted, savoury note with subtle, refreshing salinity.

Given the boutique size of the winery and lengthy ageing (three years from harvest to bottling), it is not always easy to get your hands on a bottle. If you live in Ontario, I highly recommend getting on their mailing list for future releases. In Québec, the first allocation has arrived! Inquire with agent: Symbiose Vins

Producers Reviews

Le Ragnaie, Brunello di Montalcino in its Prime

Le Ragnaie Brunello di Montalcino

Le Ragnaie Brunello di Montalcino! The past two decades have seen a happy return to a “less is more” philosophy in so many of the world’s fine wine regions. The full throttle wines of the 1990s and early 2000s, with their extended hangtimes, long extraction, and lavish use of new oak, are slowly disappearing. This is certainly the case in Brunello di Montalcino.

Top producers today have found their stride, achieving ripe tannin structures while maintaining balanced freshness and alcohol. The wines of Riccardo and Jennifer Campinoti at Le Ragnaie are a prime example.  The 23-hectare estate has some of the highest altitude vineyards in Montalcino.

In 2017, Le Ragnaie began vinifying its various terroirs individually. They were among the first Brunello producers to offer a wide range of single vineyard bottlings. Among the estate’s top terroirs are its southwest facing old vine vineyards in the central zone of Montalcino, its parcel on Montosoli, and its plots in the Castelnuovo dell’Abate sector.

The winery name and that of one of its lieux-dits, Le Ragnaie, refers to an old hunting device; a wide net used to catch birds. The word ragno means spider in Italian, hence the idea of catching prey in a net. The estate is organic and focused on the biodiversity of its habitats. Oak forests, olive groves, and a small lake surround its winery vineyards.

The winemaking style at Le Ragnaie is very restrained. After destemming and rigorous sorting, the grapes are fermented in concrete vats with natural yeasts. Riccardo Campinoti refers to this process as a “long, slow infusion on skins”. After a month or so, the wines are transferred to 25 hectolitre Slavonian oak vats and French oak barriques from the Allier.

The Rosso di Montalcino matures for nine months, while the Brunello di Montalcino tier wines age for anywhere from 36 to 48 months. Campinoti doesn’t produce any Riserva bottlings. Though several of his cuvées qualify, he prefers the flexibility of varying ageing durations from one vintage to the next, depending on the growing conditions of each site.

Sitting down to a meal and tasting of recent vintages with Riccardo Campinoti was a one of the highlights of my spring calendar. See my tasting notes below.

 Le Ragnaie Troncone 2021, IGT Toscana – 90pts. VW

The Troncone cuvée is a declassified red from the Montalcino area, sourced from a site above the appellation’s previous 600 metre altitude limit.  Like all of Le Ragnaie’s wines, Troncone is fermented with natural yeast. Ageing lasts less than a year, in large, neutral Slavonian casks.

Excellent value for the price, with its vibrant red currant, strawberry, and floral accents. The palate is fresh and medium in body, with a pleasantly chalky texture, and hints of bitter almond that refresh the finish. Very easy-drinking.

Where to Buy: $20.25 (SAQ code: 13432515)

 Le Ragnaie Rosso di Montalcino 2019 – 89pts. PW

The 2019 Rosso di Montalcino is youthful and fragrant, with notes of red cherry, rose, and balsamic hints on the nose. The palate is lively, medium-bodied, and firm with refreshing minty nuances on the finish. Needs time to unwind or a short spell in a decanter to open up further.

Where to Buy: $47.95 (private import, Bambara Selection)

 Le Ragnaie Brunello di Montalcino 2017 – 93pts. LW

The Le Ragnaie Brunello di Montalcino is a blend of all the properties vineyard. Each plot is vinified separately and then blended at the end of three years’ ageing in botti and barrel. In the hot 2017 vintage, the cooler north-facing plots were primarily allocated to this wine to ensure sufficient freshness. Grapes from warmer areas were blended into the Rosso.

Attractive notes of dried orange peel, tart red fruit, and hints of tar play across the nose. The palate is firm and weighty, with a slightly warming finish despite fresh acidity throughout. Finishes with fine grained tannins and lingering savoury, earthy nuances. 

Where to Buy: $90.00 (SAQ code: 15051556)

 Le Ragnaie Brunello di Montalcino Vigna Vecchia 2017 – 96pts. LW

The old vine cuvée is sourced from Le Ragnaie’s oldest vineyards, planted in 1968. The plot is located in front of the cellar at the lofty heights of 600 metres altitude. Prior to 2016, this was the upper limit for the Brunello di Montalcino appellation – on the brink of being too cool for quality wine. Now, producers are increasingly planting at higher altitudes.

Initially discreet, the 2017 is hugely complex upon aeration with notes of truffle, ripe blue fruit, almond essence, talc, and Provençal herbs. The palate has a very defined, sinewy quality about it. This is a bold, fresh, elegant red wine to sip slowly savouring each glass.

Where to Buy: $139.50 (sadly sold out)

 Le Ragnaie Brunello di Montalcino 2018 – 92pt. LW

The 2018 growing season was a challenge for many estates, with spells of cool, rainy weather. Bookended by hot, powerful years, the best wines of the 2018 vintage are prized for their very pretty, lifted aromatics and overall elegance. This is an earlier drinking vintage overall.

Vivid notes of cassis, red plum, wild herbs, and almond essence feature on the nose. The palate is brisk and full-bodied, with good depth of flavour, and fine, powdery tannins. Vibrant red and blue fruit mingles with refreshing herbal notes on the finish.

Where to Buy: $97.00 (100 cs/6 coming soon to LA SAQ)

 Le Ragnaie Brunello di Montalcino Vigna Vecchia 2018 – 94pts. LW

The Vigna Vecchia 2018 has a lovely, perfumed nose of ripe red cherry, strawberry, and plum with underlying layers of violets and hints of marzipan. Tangy red fruit flavours give a really lively character to the palate. Initially satiny in texture, with a highly glossy, polished feel; tapers to ripe yet dense, muscular tannins. Needs two to three years to soften and unfurl.

Where to Buy: $150.50 (40cs/6 coming soon to La SAQ)

 Le Ragnaie Brunello di Montalcino “Casanovina Montosoli” 2018 – 96pts. LW

Montosoli is a hill in the northern part of the Brunello di Montalcino appellation. It is considered one of the region’s best “cru” growing areas. The vineyard is located at 300 metre altitude on mainly galestro soils (aka a rocky soil composed of silt and clay-marl with layers of limestone; excellent drainage).

This is a hugely expressive and complex red, brimming with ripe and dried red fruit. Upon aeration, layer upon layer of sour cherry, floral nuances, blood orange, eucalyptus, and barnyard hints emerge. The palate is powerful and very fresh, with hugely concentrated mid-palate, and firm tannins that frame the long finish nicely. Lots of staying power. Age for 10 years +.

Where to Buy: $180 (private imports, Bambara Sélection

 Le Ragnaie Brunello di Montalcino “Petroso” 2016 – 97pts. LW

This northwest facing one-hectare plot sits at 380 metres altitude, on shallow, rocky soils. These elements give a lot of lift and mineral tension to the Petroso wines. The vineyard is situated near the town of Montalcino and is one of the area’s oldest vineyard sites.

From the incredible 2016 vintage, the Le Ragnaie Petroso does not disappoint. The nose is incredibly complex, with heady aromas of rose, peony, dried orange peel, cherry, talc, and underlying savoury notes. The palate is weighty yet beautifully balanced, with a lifted freshness, and fine-grained tannins. Long, multi-layered finish. Drinking well now, but with the power to age another 10 years or more.

Where to Buy: Sold out 

This Le Ragnaie Brunello di Montalcino piece is re-printed (with permission) from my article written for Good Food Revolution. If you want to learn more about artisanal food, wine, beer and spirits, check out their excellent website.

Education Reviews Wines

Where did all the Santorini White Wine Go?

Island of Santorini

I recently attended a tasting of impressive Santorini white wine. The Assyrtiko grape had fallen off my radar recently and I was glad to be reacquainted with the crisp, steely, mineral-laced style typical to this Greek volcanic island.

Given the trends among more involved wine enthusiasts, towards sustainably produced wines, indigenous varieties, “authentic” wine regions, and lighter, more vibrant wines, I would have thought that Santorini white wines would be rising in popularity.

A few years back, Assyrtiko white wines – from Santorini and across Greece – flooded my local wine shops each summer. I regularly had one chilling in my fridge. A quick search of SAQ and LCBO offerings showed me why I had forgotten Santorini’s signature grape. They are all gone.

Santorini’s Low Yields of Old Vine White Wines

Santorini is an island in the southern Aegean Sea, some 200 kilometres southeast of mainland Greece. In 1650 B.C., Santorini experienced one of the largest volcanic eruptions ever documented. The island is part of the Hellenic Volcanic Arc, one of the most significant volcanic fields in Europe – still very much active today.

Santorini’s soils are a mix of lava, volcanic ash, and pumice stone. The lack of clay and thus organic matter provides a barrier against many pests and diseases, most notably phylloxera. As such, the island’s vines are own-rooted, with a significant number of venerable old vines.

The climate is hot and very dry. Despite this, vineyards are not irrigated. Humidity from sea breezes is absorbed by the volcanic soils. The intensity of the winds that buffet the island is too much for a trellised vineyard. Vines are therefore trained in a unique spiral, whereby vine canes are “woven” into a basket shape with the grapes growing inside this protective shield.

Leading Santorini wine producer, Santo Wines, explains that “the bigger the basket, the older the plant, with some of them boasting a root system more than 200 years old”. This ground level basket training system, called Kouloura, means back-breaking labour that can only be accomplished by hand.

The combination of a hot, dry, windy climate, and kouloura vine training, equates to very low yields. Many growers indicate a mere 10 – 20 hectolitres/ hectare harvest level. Put in perspective, this is far less than yields derived from Grand Cru Bourgogne plots. Combine this with the rough estimate given to me of 1500 hectares total acreage for Santorini and you quickly realize how little wine is produced annually.

The Unique Flavour of Santorini’s Signature Grape

No photo description available.
Photo credit: Wines of Greece (Kouloura trained Assyrtiko vine)

While most varieties of Vitis vinifera are happiest in Mediterranean climates, the particularly dry, windy conditions of Santorini would be inhospitable to many. Happily, the region found its perfect grape thousands of years ago: the white variety, Assyrtiko.

According to Wines of Greece, Santorini boasts Assyrtiko vineyards that date back 3500 years. Assyrtiko thrives in Santorini’s dry, volcanic soils. Despite the heat, Assyrtiko maintains vibrant, high acidity as the grape matures. It is not uncommon to taste Assyrtiko wines at over 14% alcohol with a level of crisp, refreshing acidity that belies their evident ripeness.

Santorini white wines are rarely overtly fruity. Assyrtiko tends toward an earthier, wet stone or oyster shell type minerality on the nose. The grape’s ripeness presents itself more on the palate, in its weighty structure, layered texture, and slight phenolic (tannic) edge.

Of course, the island also produces leaner, fruitier styles of Assyrtiko – often from younger vines or less favourable vineyard sites, but given its small production, more and more producers are focusing on premium Assyrtiko wines, of the former style.

Assyrtiko wines are often unoaked, though in line with a move toward more premium winemaking, many producers are experimenting with longer ageing, extended lees contact, and carefully managed oak ageing.  Nykteri is the name given to Santorini dry white wines, left to hang longer on the vines, with a short period of skin contact in the winery, and a period of barrel ageing.

The island also makes very limited quantities of stunning Vinsanto. The grapes for these luscious, sweet wines are left to partially desiccate in the sun for a couple of weeks before a long, slow fermentation. After a few years of barrel ageing, they are an amber coloured liquid ambrosia.

So why has all the Santorini White Wine Disappeared?

The Santorini white wines that featured on wine store end aisles five years ago all sat at an “entry premium” dollar value in the high teens to low twenties. The labour involved and low yields meant that these wines were ludicrously under priced and not a sustainable way forward for the island’s producers.  However, when prices were raised, sales slowed, and the listings were dropped.

A while back, I interviewed Jermaine Stone, hip hop artist turned fine wine auction director, now owner of wine importing and consultancy firm, Cru Luv Selections. We were chatting about perceived wine value from one region to another and compared with other luxury goods.

Stone gave examples of teenagers saving up for Yeezy sneakers they know they will outgrow or a middle-income worker shelling out on a Balenciaga handbag.  Few regions have managed this feat of creating a luxury aura around their wines. “People have the money. They just don’t have the reverence for the product” according to Stone. “If they don’t think it’s special, they won’t want it”.

With yields as low as they are, it isn’t necessarily a bad thing that Santorini white wine sales are no longer focused on volume-driven outlets like monopoly wine stores. As the quality rises, the wines deserve a hand-selling approach built around creating that necessary reverence. But who will step forward as the region’s champion among Canada’s sommeliers and fine wine buyers? Only time will tell…

Santo Wines, Santorini
Photo credit: Santo Wines

A Handful of recently tasted Interesting Santorini White Wines

Domaine Sigalas Santorini 2022 – 92pts.

Discreet green citrus, wild herbal, and flinty aromas feature on the nose. The palate invigorates with its high, lip-smacking acidity, chalky texture, and lingering salinity. Light and dry with lots of verve, this 100% Assyrtiko is fermented stainless steel and aged for three months, with regular lees stirring.

Gaia Wines “Thalassitis” Santorini 2021 – 90pts.

Sourced from sixty-year-old Assyrtiko vineyards. Earthy, wet stone hints mingle with fragrant yellow apple and apricot aromas. These ripe fruited notes give way to tangy citrus flavours on the palate. Racy and medium weight, with pleasant grapefruit pith bitters that lift the finish.

Santo Wines Santorini Assyrtiko 2022 – 89pts.

Sixty- to eighty-year-old vines, grown at 400 metres altitude. Macerated six hours on skins before fermenting in stainless steel and brief ageing. Light-bodied, with nervy flavours of lime, gooseberry, and earthy minerals. Piercing acidity and a taut structure give this very dry wine a tingly, electric sensation on the palate.

Estate Argyros Cuvee Monsignori Santorini 2020 – 94pts.

Venerable old vines (estimated at 200 years in age), fermented with wild years and aged for ten months on fine lees in stainless steel tanks. Subtle, yet highly attractive white floral, flinty, smoky nuances on the nose. Initially silky on the palate, building up to a powerful structural crescendo. Savoury and saline, with a long finish of refreshing, grapefruit pith bitters.

Gaia Santorini Wild Ferment 2022 – 91pts.

Seventy- to eighty-year-old vines. Native yeast fermentation in stainless steel, oak, and acacia barrels, followed by twelve months’ ageing. Reminiscent of a Graves white Bordeaux nose. The palate is full-bodied, with bracing acidity and a creamy mid-palate. Juicy flavours of apricots and nectarines balance the hints of toasty, spiced oak nicely. Very powerful. Hold for one to two years or decant.

Santo Wines Nykteri 2021 – 90pts.

85% Assyrtiko, blended with secondary white grapes Athiri and Aidani. Fifty-year-old vines. Blend is aged six months in French oak foudres. Pretty aromas of white flowers, beeswax, wet stone, and preserved lemon play across the nose. Very youthful on the palate with its firm acidity, structure, and tannins. Hints of juicy apple flavours emerge with aeration. Needs time to soften.

Sigalis Santorini Barrel 2021 91pts.

Aged in French oak barrels (10% new) for eight months, this 100% Assyrtiko wine is sourced from selected blocks of sixty year+ aged plots across the island. Complex notes of ripe stone fruit mingle with wild herbs, spring blossoms, and exotic spice on the nose. The palate is rounded and fleshy, lifted by brisk acidity that accentuates lingering salty hints on the finish.

This “Santorini White Wine” piece is re-printed (with permission) from my article written for Good Food Revolution. If you want to learn more about artisanal food, wine, beer and spirits, check out their excellent website.

Education Life Reviews Wines

It’s Time for Serious Rosé Wine…

Rosé wine glasses, Vins de Provence

Elizabeth Gabay MW is one of the world’s foremost experts on rosé wines. She is the author of two major reference guides, Rosé: Understanding the Pink Wine Revolution and Rosés of Southern France. I recently had the pleasure of chatting with Gabay about what’s new in serious rosé wine (aka the world beyond the pale, poolside pink wines that flood our wine store shelves each spring). 

What do you find are the most interesting trends in the world of rosé wines?

I think one of the big problems when we talk about premium rosé trends is, it’s like talking about trends in cru classé Bordeaux or Domaine Romanée Conti. It is such a small percentage of rosé production. 90% of rosé that I taste is aiming at the same pale, dry, bland commercial style.

Though, where serious rosé wine is concerned, a small contingent of producers are experimenting. They are looking at things like the porosity of cement or amphora to minimize reductive character. They’re looking at different barrels to soften tannins. I’m working with a rosé vinified in acacia.

So, there is that happening. And then on the other side, there is the natural wine movement.

Is natural wine playing an important role in rosé wine?

I think natural winemakers are incredibly important for the rosé category because you’ve got people who are breaking down the rules. They’re doing things like solera rosé, much more spontaneous fermentation, and so on.

Last week I tasted a Greek Moschofilero “rosé” for Decanter. It is basically a gris coloured grape which spends a week on the skins and turns a shade of dark pink, but it has all the texture of a skin contact white wine.

We tasted a rosé from Uruguay which was 50% red and 50% white grapes blended together to make a rosé. It does all its fermentation on the skins, so is it an orange wine? A red? A white? Is it rosé? It’s a sort of fusion.

These wines only represent about 2% of rosé production, but I find them really exciting.

What do you like most about them?

Personally, I really like funky rosé. I am looking for the Picasso, I’m not looking for the pretty picture. I’m looking for a wine that is going to challenge me. It may not be yacht worthy, but if it has made me sit up and think, I am happy.

For me, texture is quite an important element for serious rosé wine. This is why cement or oak are quite good, or a bit of skin contact. I love spontaneous fermentation on rosé. One reason you won’t get it in bulk stuff is that they want the rosé to be ready for the en-primeur market in January. That rush to get the new vintage in market by Easter is very destructive on rosé.

As natural wine becomes more mainstream, do you think we will see more rosé producers embracing a lower interventionist style?

It’s not really hitting rosé in a major way yet because too many people see rosé as swimming pool wine so why would you bother doing anything funky with it? It’s almost as though its very success has killed off creativity.

At present, the premium rosé people aren’t talking to the natural people, so we’ve got these different branches splitting off. I would like premium rosé producers to take off their blinkers and have the confidence to say, you know what we could actually learn from each other.

Is this lack of confidence driven by consumers? Are people simply not interested in drinking more diverse rosé styles? Or more expensive rosés?

I think this is a major problem with rosé and it is something I am trying to work with. If you look at restaurant wine lists, there is a huge selection of white and red wines. They don’t do that for rosé. The trade is not showing consumers how they can branch out or move up in the rosé sector.  Rosé is between 10 and 50% of sales, depending on country and time of year. Why should it only be one or two options on a restaurant wine list?

Even if someone went to a Michelin starred restaurant and wanted to drink rosé, they wouldn’t have more than a few, quite similar choices, none of them of the quality level expected in such a restaurant.

This is a very good point. Where do you think we could see increased diversity in rosé wines? You mentioned some of the winemaking experimentation that is happening. What about grape varieties? I spoke to a Provence winery last week who felt the only truly great grape for rosé is Grenache…

Every big producer in Southern France feels this way and I absolutely don’t agree. It is as though you interviewed a Burgundy producer who said, you know what, the only grape that makes fine red wine is Pinot Noir. This is blinkered thinking.

Grenache is not the only great variety to make good rosé. It is a great variety that makes rosé within a specific style. One of the big problems is that Grenache oxidises really easily, so producers tend to make it using a 100% reductive method. That means fermenting dead cold with cultured yeasts that give a grapefruit character. Is that the best rosé in the world, really? Absolutely not.

There are plenty of excellent rosé grapes: Negroamaro from Puglia, Grenache blended with Tempranillo as they do in Rioja, Xinomavro, Blaufränkisch. They all make great rosé.

Do you see any countries that could be real competitors for France in terms of having a strong identity linked with rosé winemaking?

There are lots and lots of excellent rosé producers around the world but there is no one with the same cohesion as Provence. That is why they are so successful. For 30 years they’ve had a very cohesive marketing policy. They’ve created their identity. And they’ve stuck to it.

We don’t get a lot of rosés from South Africa, Australia, New Zealand, or California in Europe so I can’t comment there. However, I taste widely across Europe and so many regions are struggling not to make a Provence style rosé. I ask them to send examples that aren’t Provence imitations, and they really have a problem there. Tavel is really the only rosé-based region that is sticking to its individual style and even there, there is some dispute on the direction the appellation is taking.

There is a growing group of top rosé estates in Rioja, but we’re talking about 10 wineries. There is fantastic rosé in places like Greece and Austria as well, but it is isolated producers, and their heart isn’t in it.

Ben (Bernheim, co-author of Rosés of Southern France) likes to ask wineries making good rosé, “if there was a fire, which vines would you save, the red wine grapes or the rosé”? It is always the red. It’s a bit sad really.

Having said all of that, I am very excited by the high quality of roses that are increasingly being produced. So, it’s not a negative thing, it is just that there is a lot more work to actually bring it together.

Elizabeth Gabay MW

Five serious rosé wines on Elizabeth Gabay’s radar right now…

  1. Tête de Cuvée, Château Maissy, Tavel
  2. Clos Cibonne, Côtes de Provence
  3. Ekato Moschofilero, Ktima Troupis, Greece
  4. Giana Masciarelli Cerasuolo d’Abruzzo, Italy
  5. Rosato Reserva, Quinta da Cuca, Douro, Portugal

This “Serious Rosé Wine” piece is re-printed (with permission) from my article written for Good Food Revolution. If you want to learn more about artisanal food, wine, beer and spirits, check out their excellent website.

Education Producers Reviews

What Next for Loire Valley Wine? Organic, Biodynamic, Natural Beginnnings.

Domaine Luneau Papin Vineyards

Three Loire winemakers gathered in a buzzy Montréal bar on Wednesday night. The event was fashionably informal. A pop-up tasting in a cool, low-key spot dripping with tuque-clad, tattooed ambiance. Retail staff from SAQ stores across the city had come in droves to taste the wines.

Having listened to wine event organizers lament a rising trend of poor attendance, I was heartened to see such a packed room. The crowd was young, knowledgeable, and evidently captivated by the wines. A world away from dismal media reports of Gen Z drinkers spurning wine for canned cocktails.

The vignerons hail from three distinct areas of the Loire: Domaine Luneau-Papin, Muscadet producers from the Pays Nantais, Domaine Pellé from the Centre Loire appellation of Menetou-Salon, and Domaine Sérol on the eastern foothills of the Massif Central, in the Côte Roannaise.

While their soils, topography, climate influences, and grapes are highly distinct, all three estates have a shared vision – not only for organic and biodynamic farming practices, but for how they see the future of their wine region.

The Loire has long been a hot bed for terroir-focused, innovative wine producers. Nicolas Joly is often cited as an early pioneer in this movement. His tireless and vocal championing of biodynamic viticulture was a powerful boon to the region as a whole. Joly’s books and his work at Coulée de Serant linked the Loire, by association, to greener, more sustainable vineyard practices.

Despite the Loire’s challenging meso-climates, with their ever-present threats of frost, hail, and damp weather, the number of estates adopting organic and biodynamic practices is noteworthy. The desire to experiment, push boundaries, and explore terroir expression is another hallmark of the Loire.

Spraying biodynamic preparations. Photo credit: Domaine Pellé.

Natural wines are made in every corner of France today. Beaujolais’ Gang of Four might get the credit for earliest adopters of sulphur-free, low intervention winemaking but the Loire came on hot and heavy in its wake.

In 1999, Pierre and Catherine Breton organized the first natural wine focused fair: La Dive Bouteille. The event was held in a Bourgueil cellar, with 40 or so local natural wine producers. Over twenty years later, the event remains the largest natural wine fair, bringing together over 200 producers from around the globe.

The Loire holds many advantages for young winemakers starting out. The vineyard land is far more affordable in areas like the Anjou, Roanaise, and Auvergne than many other viticultural zones in France. There are no age old classifications or quality hierarchies to contend with. And the inspiration to follow in the footsteps of trailblazing producers is a powerful draw.

The road is not without significant challenges though. “It hasn’t been easy” admitted Marie Luneau, of Domaine Luneau-Papin, over a glass of wine later that evening. When Luneau and her husband took over his family’s estate in the late 2000s, Muscadet was in crisis.

Pierre-Marie and Marie Luneau. Photo credit: Domaine Luneau-Papin.

Saddled with a reputation for cheap and cheerful supermarket wine, the region struggled to get buyers and consumers to accept price increases. Several vintages of devastating frosts, rising production costs, and increased global competition for entry-level white wine drove Muscadet’s mass markets into the ground.

The region that spanned over 13 000 hectares in the 1980s shrunk by one third in the ensuing decades. In the face of this dire situation, it took producers like Luneau-Papin, with serious passion and grit to remain steadfast.

In the late 2000s, while many Muscadet growers were walking away from the industry, Domaine Luneau-Papin converted to organic viticulture. Marie also co-founded L’Association des Vignes de Nantes to join forces with like-minded growers in promoting their quality-focused Muscadet wines.

Though Marie is (rightfully) proud of the nervy, textural wines the estate is crafting today, and the success they have found, she is quick to dispel any romantic notions of their ascendancy. “We worked non-stop for years” she explained. “I wonder if my children will even want to follow in our footsteps after seeing that”.

While Nantais growers like Domaine Luneau-Papin were fighting to revitalize Muscadet’s image, Carine and Stéphane Sérol had another concern…a complete lack of image for Côte Roannaise wines. Stéphane took over the estate from his father in 1996 and immediately set about making changes.

The couple uprooted lesser vineyards, selected higher altitude granite-rich sites for new plantings, and focused their attentions on their local variety: Gamay St-Romain. This unique Gamay clone thrives at higher elevations making structured, peppery wines. Interest for Domaine Sérol’s distinctive wines has come slowly but surely.

Gamay Saint Romain tank. Photo credit: Domaine Sérol.

Building renown has also been a long game for Domaine Pellé. The long shadow of Sancerre cast Menetou-Salon in a second tier role that quality-minded growers like Paul-Henry Pellé have worked hard to cast off. Paul-Henry took on responsibility for his family’s estate at a young age. After an inspiring apprenticeship with Hubert Lamy, he knew he wanted to adopt biodynamic farming.

Paul-Henry admits that it took time to get it right. An initial attempt at immediate, full-scale biodynamic practices – making his own preparations, applying all tenets of the new system, while running the estate proved too much. He realized that he would need to transition from organic to biodynamic over time.

Over nearly two decades, Paul-Henry has honed his craft, lowering yields, working towards certification, and transitioning to micro-vinifications in seasoned oak vats and casks. The wines are a testament to his efforts: racy, saline, and complex.

As the crowd eventually thinned and the lights grew dim, we sat at the bar sipping cocktails, musing about how far the Loire, and its top producers have come. The hard work of the current generation has garnered admiring audiences across the globe, as the night’s event proved. The next generation may not have an easy path in the face of increasingly extreme climate conditions, but the acceptance won by their predecessors will certainly set them up for easier success.

This “Loire Valley Wine” piece is re-printed (with permission) from my article written for Good Food Revolution. If you want to learn more about artisanal food, wine, beer and spirits, check out their excellent website.

Reviews Wines

Roberto Voerzio, Barolo: The Man of La Morra

It is hard to image a man prouder of his origins than Roberto Voerzio. Born and raised in the Barolo sub-zone of La Morra, Voerzio knew from a young age that he wanted to make wine. Not just any wine though; fine wine to rival the likes of Giovanni Conterno and Bruno Giacosa.

In a recent tasting together, Roberto Voerzio shared the exacting methods he has employed over the years to reach the top echelon of Barolo winemakers. Voerzio speaks simply with a twinkle in his eye. He isn’t boastful, but there is no false modesty either.

Voerzio established his winery in 1986 with two hectares of vineyards in La Morra. Today, the estate spans 35-hectares of owned and rented vineyards, with notable holdings in La Morra crus such as La Serra, Brunate, Cerequio, Rocche dell’Annunziata, Fossati, and Sarmassa (in neighbouring Barolo).

A keen observer, Voerzio travels frequently to regions like Bordeaux and Bourgogne to analyze the viticultural methods of top estates. “I like to visit right before harvest” he explained. “The vineyard work is finished and you get a real sense of how successful the estate has been”. By this, he refers to the vine’s balance and ripeness of its fruit.

Roberto Voerzio La Morra Vineyards

Roberto Voerzio La Morra vineyard views (photo credit: Roberto Voerzio)

Voerzio determined early on that a high-density vineyard model would produce the best quality fruit. Vines planted in closer proximity tend to produce fewer bunches, giving a smaller yield of more concentrated, flavourful grapes. In his prime vineyard sites, Voerzio plants at a density of 9,000 to 11,000 vines per hectare; well over double the average for Piedmont.

From planting to winter pruning, and throughout the growing season, Voerzio works tirelessly to achieve his desired, low crop level. He leaves just five to eight buds during the initial pruning and thins the crop twice during the summer.

“In cooler, less sunny seasons, I start green harvesting in early July to ensure the grapes ripen fully. In warmer years, I wait a few more weeks” he says. A second round of grape thinning occurs mid-August, to decrease the size of each cluster, cutting the bottom portion to concentrate richness of flavour among the upper grapes. For top crus, the yield at harvest is often as low as 500 to 700 grams per plant.

This is obviously not the most economical way to make wine, Voerzio admits with a chuckle. However, he says with a widening grin, “I do it for the glory of the wine”.

Roberto Voerzio has no organic certifications, but his vineyards are cultivated without chemical entrants. Cow manure is used to fertilize vines as needed. No herbicides, fungicides, or pesticides are employed.

Roberto Voerzio La Morra vineyard yield

Low yields in Roberto Voerzio La Morra vineyards (photo credit: Roberto Voerzio)

In the cellar, Voerzio’s wines are made via spontaneous fermentation with native yeast. Alcoholic fermentation lasts 15 to 30 days in tank. The Nebbiolo and Barbera cuvées are then racked to a mix of seasoned Slovenian oak botti of varying sizes, and a small portion of French oak. Sulphur levels are less than half the regulated dose. The wines are bottled unfined and unfiltered.

ROBERTO VOERZIO BAROLO DEL COMMUNE DI LA MORRA 2016 – 93pts LW

This is something of a “house” Barolo for Voerzio, made from a blend of five cru vineyards, namely La Serra, Fossati, Cerequio, La Rocche dell Annunziata, and Case Nere. La Morra is often described as the most elegant and approachable of Barolo’s sub-zones, with sandy, clay-rich Tortonian soils.

Aromas of wild rosemary and thyme give way to red currant, plum, dried citrus, and wildflowers on the nose. The palate is full-bodied, yet sinewy in structure, with lip-smacking acidity, and vibrant red fruit, herbal flavours. Finishes very fresh and precise.

Where to Buy: $163.50 (small allocation of 2018 vintage at the SAQ)

ROBERTO VOERZIO BARBERA D’ALBA “POZZO DELL’ ANNUNZIATA” 2017 -95pts PW

Barbera is the most widely grown grape in the Piedmont region. I have had many easy-drinking, great value Barbera wines in my time, and a handful of serious stand outs but nothing of this calibre. The Pozzo dell’Annunziata cuvée really shows what the grape is capable on the right site, at low yields, in the right hands.

The 2017 vintage is redolent with dark cherries and plum aromas, over layers of prune, woodsmoke, dark chocolate, licorice, and cedar. Juicy and ripe fruited on the palate, with a fleshy, full-bodied core, and velvety finish. Savoury flavours mingle with plum and dried herbs on the very persistent finish.

Where to Buy: $48.50 (sadly sold out…)

ROBERTO VOERZIO BAROLO “FOSSATI” 2015 – 97pts. LW

Fossati lies on the western side of La Morra, adjacent to the Case Nere and La Serra crus, at 350m altitude. The soils are stoney and light, with clay layers. The vines are particularly deep rooted here, stretching down to ten metres in places. Voerzio describes Fossati wines as deep in colour, with pronounced tannins, and vivid aromatics.

Successive waves of ripe dark and red fruit, wild berries, barnyard hints, dried orange peel, and cedar waft from the glass of this seductive 2015 Fossati. The palate is initially understated, with a supple, suave quality that broadens and deepens on the mid-palate. A lively hum of acidity vibrates through the wine, complimenting the firm, chalky tannins and lifting the finish.

Where to Buy: $462.50 (small allocation of 2018 vintage at the SAQ )

ROBERTO VOERZIO BAROLO “CEREQUIO” 2012 – 96pts. LW

Cerequio is surrounded by equally prestigious La Morra cru vineyards on the western side of La Morra. The hillside plantings sit at 300 metres altitude on a bed of white clay over blueish marl sub soils. According to Voerzio, its wines are very round, elegant, and ethereal in nature with lively red fruit flavours.

The 2012 vintage is fragrant and complex, with dried fruit and dried rose petal aromas, over hints of truffle and eucalyptus. Initially rich and velvety on the palate, tapering to ripe, yet still somewhat grippy tannins. A concentrated core of minty, dried red fruit, and earthy flavours linger long on the finish.

Where to Buy: $462.50 (small allocation of 2018 vintage at the SAQ)

This “Roberto Voerzio Barolo” piece is re-printed (with permission) from my article written for Good Food Revolution. If you want to learn more about artisanal food, wine, beer and spirits, check out their excellent website.

Reviews

How will Climate Change Affect Cool Climate Wine Regions? Only Time will Tell…

Meursault Vineyards - Jacky Blisson MW

Atmospheric rivers, bomb cyclones, polar vortexes, cold drops… As increasingly erratic weather patterns combine with rising temperatures, prolonged drought episodes, and the like, the realities of climate change have never been more stark.

Grape growers, like all farmers, are dealing with a constantly shifting playing field, forcing them to adapt every season. Viticultural and oenological researchers are working feverishly to find solutions as problems continue to multiply.

Drought-resistant rootstocks, polygenic disease resistant hybrids, canopy management techniques to better shade fruit against sunburn, all manners of cutting-edge technology to track temperature, light, humidity, and water availability, lower alcohol-producing yeast strains, etc.

These are just a few of the many avenues being explored to maintain the viability of our major vineyard regions. And even if these efforts meet with long-term success, how long will the wine styles we currently know, and love remain recognizable?

Not so long ago it seemed like something of a boon to see rising temperatures in traditional cool climate regions like the Mosel Valley and Bourgogne. The need to memorize vintage charts to avoid lean, green, and let’s face it…often pretty mean wines from cold, wet growing seasons has all but vanished.

The need to chaptalize or rely on healthy doses of süssreserve to bolster light vintages is no longer such a vital crutch. On the other end of the spectrum, techniques to protect fruit in overly hot vintages have also improved. In Burgundian cellars, these ripe wines are also being handled with far greater elegance, with gentler extraction and far more discreet oak ageing than was the norm in the early 2000s.

Until recently, it wasn’t uncommon to hear wine critics describe climate change as a “blessing” for these cooler climes. Though I doubt many producers in these regions would agree looking forward to projections for the next thirty to fifty years to come.

The renown of wines from places like the Mosel and Bourgogne is built on their rare ability to combine a silky, ethereal elegance with underlying power and impressive ageability. Their vivid flavours, vibrant acidity, and overall poise stems – in part – from the long, slow, steady ripening that was once a hallmark feature of these climates.

Recently, I received a series of Bourgogne samples in the 14% to 14.5% alcohol range. While velvety and generously fruity, they lacked the tangy vibrancy of fruit, and fine-grained tannic presence that – for me – defines good red Bourgogne. In fact, I wasn’t at all sure that I would have picked out the region (or even the grape!) in a blind tasting.

With the advent of lower intervention winemaking, rising temperatures are all the more cause for concern. At higher potential alcohol and pH levels, contamination from errant bacteria or yeasts is a far greater threat.

For many, these funkier, more savoury flavours represent an appealing new layer of complexity…but at what cost? If we need to drink these wines within the first year or two of existence, before they fall apart, we lose all the pleasure of seeing the aromas and structure evolve.

Only time will tell how greatly our rapidly changing climate and ever evolving winemaking practices will affect traditional cool climate growing regions. In the meantime, I will continue to seek out and champion the many skillful producers successfully walking the fine line of bright, balanced fruit and freshness.

Here are just a handful of names that have impressed in recent tastings:

Agnès Paquet, Bourgogne (Côte d’Or)
Based in the tucked away Côte de Beaune hamlet of Meloisey, Agnès makes lithe, elegant wines with bright fruit and silky tannins. Her Auxey-Duresses red, fermented with native yeasts, partial whole-cluster, and aged in seasoned oak is divine.

Claudie Jobard, Bourgogne (Côte Chalonnaise)
Claudie Jobard comes from a long line of growers and winemakers in Rully. Her father was a reputed pépiniériste (vine nursery man). Her Rully white wines are proof positive that this once humble appellation can make wines with serious body, tension, and verve.

La Soeur Cadette, Bourgogne (Vézelay)
Now a négociant operation with lively, pure fruited wines from Beaujolais and across Bourgogne, this domaine built its reputation in the small Vézelay wine growing area nestled some 100km northwest of Beaune. Their nervy, incisive low-intervention Chardonnays are always great value.

Famille Dutraive, Beaujolais
Highly regarded Beaujolais winemaker Jean-Louis Dutraive is joined by his three children in the creation of this top notch négociant firm. A recent tasting of their Fleurie Les Déduits 2019 blew me away with its vivid flavours, overall vibrancy, and satiny texture.

Julien Sunier, Beaujolais
The Beaujolais winemaking style of Dijon-native Julien Sunier is often compared to Chambolle-Musigny, which is where he got his start, under Christophe Roumier. Lovely florality, bright flavours, and a lightness of touch that belies the impressive staying power of his Fleurie, Morgon, and Régnié old vine wines.Julien’s brother, Antoine Sunier, is also making very silky, elegant Beaujolais wines that are worth checking out.

This “Future of Cool Climate Wines” piece is re-printed (with permission) from my article written for Good Food Revolution. If you want to learn more about artisanal food, wine, beer and spirits, check out their excellent website.